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X-ORIGINAL-URL:https://www.hispanicmusic.co.uk
X-WR-CALDESC:Events for Hispanic Music Series
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DTSTART;TZID=UTC:20151030T131000
DTEND;TZID=UTC:20151030T140000
DTSTAMP:20150911T235646Z
CREATED:20150825T231645Z
LAST-MODIFIED:20150911T235646Z
UID:111-1446210600-1446213600@www.hispanicmusic.co.uk
SUMMARY:Souvenirs from Mexico
DESCRIPTION:Programa \nManuel María Ponce:\n“Dos canciones con poemas de Rabindranath Tagore”\n“Tres poemas de González Martínez”  Manuel María Ponce\,\n“Cuatro poemas de Francisco A. Icaza”\n“Léjos de ti” \nBlas Galindo\n“Arrullo”\nMaría Grever\n“Te quiero dijiste”\nAlfonso Esperanza Oteo \n“Dime que sí”\nRomanzas de Zarzuela:\n“Canción de la Paloma” El Barberillo de Lavapiés. A. Barbieri.\n“La pena me hace llorar” El huésped del Sevillano. Jacinto Guerrero.\n“Cuando está tan hondo”  El Barquillero. R. Chapi. \nLigia López Cedillo\, mezzo-soprano\nHoracio López Redondo\, piano
URL:https://www.hispanicmusic.co.uk/event/souvenirs-from-mexico/
LOCATION:St James’s Church\, Piccadilly\, 197 Piccadilly\, London\, W1J 9LL\, United Kingdom
CATEGORIES:Festival 2015,Recitals
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2015/08/ligia_horacio.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20151030T183000
DTEND;TZID=UTC:20151030T193000
DTSTAMP:20150924T101534Z
CREATED:20150825T232612Z
LAST-MODIFIED:20150924T101534Z
UID:113-1446229800-1446233400@www.hispanicmusic.co.uk
SUMMARY:From El Cid to twelve-tone technique: the vocal music of Spanish exiled composers
DESCRIPTION:Lecturer / Conferenciante: Eva Moreda (University of Glasgow) \nLecture in English / Conferencia en inglés \nABSTRACT / RESUMEN\nA significant contingent of artists and intellectuals fled Spain during or shortly after the Spanish Civil War\, and musicians were no exception. In Mexico\, Argentina\, France\, England\, Cuba\, Uruguay and other countries\, many Spanish composers\, performers and musicologists contributed decisively to the musical life of their home countries and saw their work take directions which were sometimes unexpected. This talk will assess the impact of the Spanish Republican Exile on the Spanish vocal repertoire. Displacement indeed acted as a stimulus for composers to look back at Spanish history and musical traditions and to integrate them into their operas\, art songs or choral music. Some examples include Julián Orbón taking inspiration from medieval songs in Tres cantigas del Rei\, Roberto Gerhard exploring the diversity of Spanish folklore in Cancionero de Pedrell and Rodolfo Halffter focusing on Cervantes for Tres epitafios para la sepultura de don Quijote. In other cases\, however\, displacement exposed composers to new musical techniques and new ways of thinking about music and art: Salvador Bacarisse\, for example\, set in music poems by fellow exile Rafael Alberti\, whereas Rodolfo Halffter and Roberto Gerhard experimented with atonal music. \nBIOGRAPHY / BIOGRAFÍA\nEva Moreda is a lecturer at the University of Glasgow\, where she teaches music history and theory courses. Her book Music and Exile in Francoist Spain is forthcoming with Ashgate. She obtained her undergraduate degree in Musicology from the Universidad de la Rioja and her PhD in the same subject from Royal Holloway College\, and has published widely in international journals on the political and cultural history of Spanish music\, from the reception of Albéniz\, Turina and Granados in the United Kingdom to music criticism in early Francoism and the legacy of exiled composers in Spain from the 1950s onwards. She has worked at the Royal Academy of Music and the Open University\, and held a visiting research fellowship at Indiana University.
URL:https://www.hispanicmusic.co.uk/event/from-el-cid-to-twelve-tone-technique-the-vocal-music-of-spanish-exiled-composers/
LOCATION:Instituto Cervantes\, 102 Eaton Square\, London\, SW1W 9AN\, United Kingdom
CATEGORIES:Festival 2015,Lectures
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