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DTSTART;TZID=UTC:20260120T190000
DTEND;TZID=UTC:20260120T201500
DTSTAMP:20260501T165513
CREATED:20251107T123836Z
LAST-MODIFIED:20251212T102733Z
UID:1175-1768935600-1768940100@www.hispanicmusic.co.uk
SUMMARY:Tribute to Manuel de Falla 150
DESCRIPTION:A musical tribute to the Spanish composer Manuel de Falla on the 150th anniversary of his birth\, kindly supported by the Instituto Cervantes. \nCurated by Ricardo Gosalbo\, the program features vocal works by Falla himself\, as well as pieces by other contemporary composers and writers who were part of his close circle of friends\, collaborators\, teachers\, and students. These include Rafael Alberti\, Claude Debussy\, Federico García Lorca\, Carlos Guastavino\, Rodolfo Halffter\, María de la O Lejárraga\, Frederic Mompou\, Xavier Montsalvatge\, Francis Poulenc\, Maurice Ravel\, Joaquín Turina\, and Rogelio Villar. These illustrious names gathered here demonstrate not only the great admiration and esteem that Falla enjoyed\, but also the central place he occupied in the cultural landscape of his time. \nPerformers: Liberty Anstead (soprano)\, Ana Laura Camacho (soprano)\, Claire Campbell (soprano)\, Caitlin Carey (soprano)\, Agnes Chauvet (guitar)\, Clare Galwey (mezzo-soprano)\, Mahtab Ghamsari (soprano)\, Sophie Hanson (soprano)\, Alique Khambatta (piano)\, Anna Pearson (soprano)\, Ruth Peel (mezzo-soprano)\, Anoushka Rajwade (soprano)\, Olivia Shatwell (mezzo-soprano)\, Serafyma Lomeiko (mezzo-soprano)\, Alisa Mansurova (soprano)\, Kateryna Marusyk (mezzo-soprano)\, Ilona Nastase (mezzo-soprano)\, Julia Swapp-Capdevila (soprano)\, Boya Wang (soprano)\, Doris Wong (soprano)\, Xinyi Wu (harp)\, Yafei Yu (piano)\, and Anna Yule (mezzo-soprano). \nADMISSION FREE\, BOOKING REQUIRED VIA THE FOLLOWING EVENTBRITE LINK:\nhttps://www.eventbrite.com/e/musical-tribute-to-manuel-de-falla-150-tickets-1977497131152
URL:https://www.hispanicmusic.co.uk/event/tribute-to-manuel-de-falla-150/
LOCATION:Peacock Room\, Trinity Laban Conservatoire of Music and Dance\, King Charles Court\, Old Royal Naval College\, London\, SE10 9JF\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2025/11/Falla150.jpg
ORGANIZER;CN="Instituto Cervantes London":MAILTO:cenlon@cervantes.es
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251014T150000
DTEND;TZID=UTC:20251014T163000
DTSTAMP:20260501T165513
CREATED:20250718T084106Z
LAST-MODIFIED:20250718T084106Z
UID:1143-1760454000-1760459400@www.hispanicmusic.co.uk
SUMMARY:Golden Ages
DESCRIPTION:Pianist and researcher Ricardo Gosalbo is a champion of Spanish and Hispano-American song and a director of the Hispanic Music Series. He introduces some of the principal poets of these divergent but connected art song traditions\, from the ‘Golden Age’ of Spanish poets in the 16th and 17th centuries\, through Romanticism and into the 20th- century. Joined by the Colombian soprano Julieth Lozano\, Ricardo references the poetry of Cervantes\, Bécquer\, Neruda and others\, and their settings by composers including Obradors\, Turina and Revueltas. \nPROGRAMME \nFernando Obradors (1897 – 1945)\nConsejo\nfrom Canciones Clásicas Españolas\, Vol. 2\nJoaquín Rodrigo Vidre (1901 – 1999)\nCoplas del pastor enamorado\nEduard Toldrà (1895 – 1962)\nMadre\, unos ojuelos vi\nfrom Seis canciones castellanas\n*****\nManuel de Falla (1876 – 1946)\nOlas gigantes\nJosé María Guervós y Mira (1870 – 1944)\nXXI: ¿Qué es poesía?\nfrom Rimas de Bécquer\nJoaquín Turina (1882 – 1949)\nRima\nfrom Tres arias\n*****\nFrederic Mompou (1893 – 1987)\nPastoral\nfrom Deux mélodies\nFederico García Lorca (1898 – 1936)\nEl café de Chinitas\nfrom Canciones españolas antiguas\n*****\nModesta Bor (1926 – 1998)\nCanción de cuna para dormir un negrito\nfrom Tríptica de poesía cubana\nXavier Montsalvatge (1912 – 2002)\nCanto negro (1945)\nfrom Cinco canciones negras\nCarlos Guastavino (1912 – 2000)\nEncantamiento (1922)\nErnesto Lecuona (1895 – 1963)\nCanción del amor triste\nfrom Cinco canciones con versos de Juana de Ibarbourou\nCarlos Guastavino (1912 – 2000)\nMilonga de dos Hermanos\nYvette Souviron (1914 – 2015)\nAl banco solitario
URL:https://www.hispanicmusic.co.uk/event/golden-ages/
LOCATION:The Levine Building\, Trinity College\, Trinity College\, Broad Street\, Oxford\, OX1 3BH\, United Kingdom
CATEGORIES:Lecture-recitals
ATTACH;FMTTYPE=image/webp:https://www.hispanicmusic.co.uk/wp-content/uploads/2025/07/Julieth-Lozano_2025-04-11-111818_mhdh.webp
ORGANIZER;CN="Oxford International Song Festival":MAILTO:boxoffice@oxfordsong.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250320T131000
DTEND;TZID=UTC:20250320T140000
DTSTAMP:20260501T165513
CREATED:20250108T213141Z
LAST-MODIFIED:20250108T213339Z
UID:1113-1742476200-1742479200@www.hispanicmusic.co.uk
SUMMARY:'A qué aguardan mis voces’: hidden gems of Spanish vocal music
DESCRIPTION:A recital of Spanish vocal music in which the acclaimed tenor Jorge Navarro Colorado and pianist-musicologist Ricardo Gosalbo explore different lyric-dramatic genres such as opera\, zarzuela\, tonadilla and oratorio\, offering a selection of little-known gems. Presented by the Instituto Cervantes Manchester-Leeds\, this recital features composers such as Sebastián Durón\, Fernando Ferandiere\, and Pablo Sorozábal.
URL:https://www.hispanicmusic.co.uk/event/a-que-aguardan-mis-voces-hidden-gems-of-spanish-vocal-music/
LOCATION:Martin Harris Centre for Music and Drama\, The University of Manchester\, Bridgeford St\, Manchester\, M15 6FH\, United Kingdom
CATEGORIES:Lecture-recitals,Zarzuelas
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2025/01/jorge_navarro-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20250215T193000
DTEND;TZID=UTC:20250215T210000
DTSTAMP:20260501T165513
CREATED:20250108T212254Z
LAST-MODIFIED:20250108T212254Z
UID:1110-1739647800-1739653200@www.hispanicmusic.co.uk
SUMMARY:Discover Spanish Zarzuela
DESCRIPTION:In this overview of the unique lyric-dramatic genre\, rising star mezzo-soprano Julia Merino and acclaimed pianist Ricardo Gosalbo embark on a musical journey to sunlit Spain to explore Zarzuela’s vast riches. In collaboration with Instituto Cervantes Leeds\, this recital will feature Zarzuela highlights by masters of the genre such as Rupert Chapí\, Gerónimo Giménez\, Pablo Luna\, and José Serrano. \nJosé Serrano – Canción de la gitana\, from La alegría del batallón\nRuperto Chapí – Romanza de Socorro\, from El barquillero\nVicente Lleó – Cuplés babilónicos\, from La corte de faraón\nJosé Serrano – Canción de Rosina\, from La canción del olvido\nPablo Luna – Canción española\, from El niño judío\nRuperto Chapí – Canción de Pastora\, from La patria chica\nGerónimo Giménez – Sierras de Granada\, from La tempranica\nJosé Serrano – Palomica aragonesa\, from Los de Aragón\nRuperto Chapí – Carceleras\, from Las hijas del Zebedeo \nJulia Merino began her piano and singing studies in her hometown\, Málaga (Spain). Awarded with the “Elizabeth Sweeting” scholarship\, she is currently finishing the opera course programme at Guildhall School of Music and Drama (London) with professors Janice Chapman and Marcus van den Akker.\nAs a soloist\, she has worked with various national and international orchestras. Some of her notable performances in Spain include oratorios with the Málaga Philharmonic Orchestra and the University of Jaén Orchestra\, as well as participations with the Málaga Symphony Orchestra in projects such as Amor Brujo (Falla) or the Metalírica Festival at the Echegaray Theatre (Málaga). She also participated in the “Encuentro de Música y Academia de Santader” during the summer of 2024.\nJulia made her operatic debut with Northen Opera Group (Leeds) in the production of the opera Frida in the summer of 2023. Upcoming operatic projects include the debut of the role of Fanny Price in Mansfield Park (Jonathan Dove)\, as well as the debut of the role of Dido in Dido and Aeneas (Purcell)\, both productions taking place in London. Upcoming projects include a piano and singing recital at the Sociedad Económica de El País (Jaén\, Spain) and mezzo soloist debut in Mendelssohn’s Elijah next March 2025. \nRicardo Gosalbo is a Spanish-French collaborative pianist\, musical director and researcher. He works as a vocal coach at Trinity Laban Conservatoire of Music and Dance\, Guildhall School of Music & Drama\, and City Lit where he also teaches piano and harmony. A devoted champion of Spanish and Hispano-American music\, Ricardo combines his duties as director of the Hispanic Music Series with his research on Spanish vocal music.\nRicardo works regularly with singers and has appeared at venues such as the Barbican\, Wigmore Hall\, the Purcell Room\, St Martin-in-the-Fields and Kings Place in London\, the Chapelle Royale in Brussels\, the Salle Cortot in Paris\, the Gewandhaus in Leipzig\, the Kulturpalast in Dresden and the Filharmonia Narodowa in Warsaw. He has also been featured on BBC Radio 3’s In Tune programme and several Spanish national broadcasters.\nA multifaceted music collaborator\, Ricardo is a founding member of the Deco Ensemble\, praised as ‘one of the UK’s foremost tango ensembles’\, with whom he has released two albums. He has also worked extensively with contemporary dancers and choreographers\, having performed with the Tanztheater Wuppertal Pina Bausch and the Polish Dance Theatre.\nRicardo trained at Trinity Laban Conservatoire of Music and Dance and at Guildhall School of Music & Drama. His mentors have included Eugene Asti\, Iain Burnside\, Graham Johnson\, Martin Katz\, Malcolm Martineau\, Peter Schreier and Roger Vignoles. He has won several prizes\, including the ‘Prix de Lied’ at the Concours International de chant-piano Nadia et Lili Boulanger\, the Oxford Lieder Young Artist Platform and the Paul Hamburger Prize for voice and piano duo.
URL:https://www.hispanicmusic.co.uk/event/discover-spanish-zarzuela/
LOCATION:Clothworkers Centenary Concert Hall\, Woodhouse\, Leeds\, WoodLS2 3AR\, United Kingdom
CATEGORIES:Lecture-recitals,Online broadcasts,Recitals,Zarzuelas
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2025/01/julia_merino.jpeg
ORGANIZER;CN="Instituto Cervantes Leeds":MAILTO:cenlee@cervantes.es
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20241107T180000
DTEND;TZID=UTC:20241107T190000
DTSTAMP:20260501T165513
CREATED:20240805T100954Z
LAST-MODIFIED:20240805T100954Z
UID:1080-1731002400-1731006000@www.hispanicmusic.co.uk
SUMMARY:Songs at Six: French and Spanish Operetta
DESCRIPTION:Romance\, glittering ballgowns\, dizzying waltzes\, and abundant quantities of champagne feature in this semi-staged performance of operetta highlights from France and its Pyrenean neighbour\, Spain.  \nLed by Charlie Morgan and Ricardo Gosalbo\, Guildhall School singers and pianists surrender to the irresistible melodies of Jacques Offenbach\, Charles Lecocq\, André Messager\, Manuel Fernándex Caballero\, and Pablo Sorozábal.
URL:https://www.hispanicmusic.co.uk/event/songs-at-six-french-and-spanish-operetta/
LOCATION:Milton Court Concert Hall – Guildhall School of Music & Drama\, 1 Milton Street\, London\, EC2Y 9BH\, United Kingdom
CATEGORIES:Zarzuelas
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2024/08/Theatre_des_Bouffes-Parisiens_interior_during_Le_mari_a_la_porte_1859_-_Sadie_1992_3p709.jpg
ORGANIZER;CN="Guildhall School of Music & Drama":MAILTO:info@gsmd.ac.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240628T180000
DTEND;TZID=UTC:20240628T191500
DTSTAMP:20260501T165513
CREATED:20240602T212044Z
LAST-MODIFIED:20240602T212044Z
UID:1069-1719597600-1719602100@www.hispanicmusic.co.uk
SUMMARY:Gustavo Adolfo Bécquer In Song
DESCRIPTION:Gustavo Adolfo Bécquer (1836–1870) is widely considered the quintessential Spanish Romantic author. His poetry was crucial in the establishment of the Spanish Lied\, and its impact on Spanish music has been far-reaching. Song settings of Bécquer’s ‘Rimas’ span over a century and feature breath-taking variety\, offering unique insights into the evolution of Spanish art song. \nJennifer Hamilton and Ricardo Gosalbo direct Trinity Laban singers and pianists in this performance with a programme of songs by celebrated composers such as Manuel de Falla\, Joaquín Turina and Federico Mompou\, as well as lesser-known gems by Enrique Fernández Arbós and José María Guervós. \nWith the kind support of the Instituto Cervantes London. \nPeacock Room\, King Charles Court\nTickets: Free\, booking required
URL:https://www.hispanicmusic.co.uk/event/gustavo-adolfo-becquer-in-song/
LOCATION:Peacock Room\, Trinity Laban Conservatoire of Music and Dance\, King Charles Court\, Old Royal Naval College\, London\, SE10 9JF\, United Kingdom
CATEGORIES:Concerts,Recitals
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2018/03/b327c13b17e99c80da2cce9682d312ea.jpg
ORGANIZER;CN="Instituto Cervantes London":MAILTO:cenlon@cervantes.es
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240601T000000
DTEND;TZID=UTC:20240601T000000
DTSTAMP:20260501T165513
CREATED:20240601T195058Z
LAST-MODIFIED:20240602T211516Z
UID:1062-1717200000-1717200000@www.hispanicmusic.co.uk
SUMMARY:An Introduction to Zarzuela: a Selection of Highlights of the Spanish Lyric-Dramatic Genre
DESCRIPTION:The Instituto Cervantes Manchester\, in collaboration with The Iberian and Latin American Music Society\, is pleased to present a concert dedicated to Zarzuela\, a unique lyrical genre with its roots in 17th Century Spain. \nOn this occasion\, we will enjoy ‘An Introduction to Zarzuela: a Selection of Highlights of the Spanish Lyric-Dramatic Genre’\, performed by the acclaimed Spanish-French pianist Ricardo Gosalbo and the award-winning Colombian soprano Julieth Lozano. \nPresented in partnership with Instituto Cervantes Manchester \nLive at Lunchtime is a series of free concerts\, taking place on various Fridays throughout May to September. Doors open at 12.30pm\, with each 45-minute performance starting promptly at 12.45pm\, providing the perfect opportunity to enjoy some musical entertainment during the space of your lunch break!
URL:https://www.hispanicmusic.co.uk/event/an-introduction-to-zarzuela-a-selection-of-highlights-of-the-spanish-lyric-dramatic-genre/
LOCATION:The Bridgewater Hall\, Lower Mosley Street\, Manchester\, M2 3WS\, United Kingdom
CATEGORIES:Lecture-recitals,Zarzuelas
ATTACH;FMTTYPE=image/png:https://www.hispanicmusic.co.uk/wp-content/uploads/2024/06/Outlook-anldqqpg.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20240202T130500
DTEND;TZID=UTC:20240202T135500
DTSTAMP:20260501T165513
CREATED:20240108T101551Z
LAST-MODIFIED:20240108T102955Z
UID:1012-1706879100-1706882100@www.hispanicmusic.co.uk
SUMMARY:An introduction to Zarzuela
DESCRIPTION:An introduction to Zarzuela: a selection of highlights of the Spanish lyric-dramatic genre.\nIn collaboration with Instituto Cervantes Leeds.\nDoors: open from 12:30pm \nJulieth Lozano & Ricardo Gosalbo \nColombian soprano\, Julieth Lozano was the winner of the Dame Kiri Te Kanawa audience prize in the 2023 Cardiff Singer of the World. She graduated with a Masters in Vocal Performance and an Artist Diploma in Opera from the Royal College of Music\, under the tutelage of Dinah Harris. An Irene Hanson and Independent Opera at Sadler’s Wells scholar\, Julieth was a 2019/20 Young Artist at the National Opera Studio in London.\nPrevious engagements include Vixen (The Cunning Little Vixen) for Longborough Festival Opera\, Zerlina (Don Giovanni) at the Verbier Festival\, Tytania (Midsummer Night’s Dream) for Opera al Parque\, Colombia\, Despina (Cosi Fan Tutte) at the International Music Festival at Cartagena\, Colombia\, Susanna (Le Nozze di Figaro) at RCM and Norina (Don Pasquale) for Random Opera.\n​A 2020 Kathleen Ferrier competition finalist\, and 2018 recipient of the President’s award given by The Prince of Wales\, Julieth appeared in the BBC documentary Queen Victoria: My Musical Britain recorded in 2019 at Buckingham and Kensington palaces. In 2016 she participated in Georg Solti’s Academy and Verbier Festival’s Project Opera\, where she was awarded the Prix Thierry Mermod. She has performed at the Royal Albert Hall\, V&A Museum and many other venues around the globe. \nRicardo Gosalbo is a Spanish-French collaborative pianist\, musical director\, educator and researcher. He works as vocal coach at Trinity Laban Conservatoire of Music and Dance and Guildhall School of Music and Drama where he teaches Hispanic music. A devoted champion of this music\, Ricardo combines his duties as artistic director of the Hispanic Music Series in London with his doctoral research on Spanish vocal music.\nRicardo has performed extensively with classical singers throughout Europe\, and he has been featured by British and Spanish broadcasters. He has won numerous prizes\, including the ‘Prix de Lied’ at the Concours International de chant-piano Nadia et Lili Boulanger\, the Oxford Lieder Young Artist and the Paul Hamburger Prize. A multifaceted music collaborator\, he has also worked with contemporary dancers and choreographers such as the Tanztheater Wuppertal Pina Bausch\, and is a founding member of the Deco Ensemble\, praised as ‘one of the UK’s foremost tango ensembles’\, with whom he has released two albums. www.ricardogosalbo.com
URL:https://www.hispanicmusic.co.uk/event/an-introduction-to-zarzuela/
LOCATION:Clothworkers Centenary Concert Hall\, Woodhouse\, Leeds\, WoodLS2 3AR\, United Kingdom
CATEGORIES:Lecture-recitals,Zarzuelas
ATTACH;FMTTYPE=image/png:https://www.hispanicmusic.co.uk/wp-content/uploads/2024/01/Julieth-Ricardo.png
ORGANIZER;CN="Instituto Cervantes Leeds":MAILTO:cenlee@cervantes.es
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20231117T180000
DTEND;TZID=UTC:20231117T190000
DTSTAMP:20260501T165513
CREATED:20240108T111304Z
LAST-MODIFIED:20240108T111304Z
UID:1019-1700244000-1700247600@www.hispanicmusic.co.uk
SUMMARY:Songs at Six: Federico García Lorca
DESCRIPTION:Ricardo Gosalbo curates a concert of song performances celebrating Spanish poet\, playwright and theatre director Federico García Lorca in what would be his 125th year. \nFree\, no tickets required
URL:https://www.hispanicmusic.co.uk/event/songs-at-six-federico-garcia-lorca/
LOCATION:Milton Court Concert Hall – Guildhall School of Music & Drama\, 1 Milton Street\, London\, EC2Y 9BH\, United Kingdom
CATEGORIES:Recitals
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2024/01/Garcia-Lorca.jpeg
ORGANIZER;CN="Guildhall School of Music & Drama":MAILTO:info@gsmd.ac.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221108T180000
DTEND;TZID=UTC:20221108T190000
DTSTAMP:20260501T165513
CREATED:20220715T131746Z
LAST-MODIFIED:20220905T092233Z
UID:948-1667930400-1667934000@www.hispanicmusic.co.uk
SUMMARY:Zarzuela Gala
DESCRIPTION:Guildhall School singers embark on a musical journey to sunlit Spain to explore Zarzuela’s vast riches. Under the direction of Ricardo Gosalbo\, this semi-staged performance features highlights of the lyric-dramatic genre by masters such as Francisco Asenjo Barbieri\, Jacinto Guerro and Pablo Sorozábal.
URL:https://www.hispanicmusic.co.uk/event/zarzuela-gala-2/
LOCATION:Milton Court Concert Hall – Guildhall School of Music & Drama\, 1 Milton Street\, London\, EC2Y 9BH\, United Kingdom
CATEGORIES:Zarzuelas
ATTACH;FMTTYPE=image/png:https://www.hispanicmusic.co.uk/wp-content/uploads/2018/09/Zarzuela2-604x270.png
ORGANIZER;CN="Guildhall School of Music & Drama":MAILTO:info@gsmd.ac.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220920T193000
DTEND;TZID=UTC:20220924T213000
DTSTAMP:20260501T165513
CREATED:20220626T142054Z
LAST-MODIFIED:20220905T092906Z
UID:937-1663702200-1664055000@www.hispanicmusic.co.uk
SUMMARY:Black\, el payaso
DESCRIPTION:BLACK THE CLOWN\nBLACK EL PAYASO\nby Pablo Sorozábal\nLibretto by Francisco Serrano Anguita\nLibretto adapted by Ignacio García\nDirected by Paula Paz\nMusic Direction by Ricardo Gosalbo \n20-24 SEP Cervantes Theatre \nThis Cervantes Theatre production will be at the Arcola Theatre as part of the Grimeborn Festival 2nd – 6th August 2022 and at the Cervantes Theatre 20th – 24th September. \nEsta producción del Cervantes Theatre se representará en el Arcola Theatre como parte del Grimeborn Festival del 2 al 6 de agosto y en el Cervantes Theatre del 20 al 24 de septiembre. \nExiled from a country immersed in civil war\, two clowns find themselves in the heart of the Parisian underworld at a time of revolution. \nBlack\, el Payaso / Black\, the Clown is one of Pablo Sorozábal‘s most ambitious and wide-ranging work. An ingenious allegory of art and nationalist politics\, its sharp and political edge that remains relevant today. The libretto is based on the French novel La princesse aux clowns by Jean-José Frappa. \nThis Spanish operetta / zarzuela first premiered in Spain in 1942.  This Cervantes Theatre production directed by Paula Paz marks its UK premiere. \nDos payasos en el exilio procedentes de un país inmerso en una guerra civil se hallan en el corazón de los bajos fondos parisinos en tiempos de revolución. \nBlack\, el Payaso es uno de los trabajos más ambiciosos y de más amplio alcance de Pablo Sorozábal. Es una alegoría ingeniosa del arte y de la política nacionalista\, de una agudeza política que sigue estando vigente hoy en día. El libreto se inspira en la novela francesa La princesse aux clowns de Jean-José Frappa. \nEsta opereta / zarzuela se estrenó en España en 1942 y ahora se estrena en el Reino Unido con esta novedosa producción del Cervantes Theatre dirigida por Paula Paz. \nREVIEWS\nLondonTheatre1 bit.ly/3JAOx5h\nThe Stage bit.ly/3zmq8Mg\nBroadway World bit.ly/3zzc1mR\nPlanet Hugill bit.ly/3vHHcva\nThe Reviews Hub bit.ly/3BJsbgm\nLatino Life bit.ly/3daCy2p\nEl Mundo bit.ly/3cJ3EOa \nWho is Sorozabal? \nPablo Sorozábal (18 September 1897 – 26 December 1988) was a Spanish composer of zarzuelas\, operas\, symphonic works. This year is the 125th anniversary of Sorozabal’s birth. He was born in San Sebastián\, in a working-class family. \nSorozábal’s liberal sympathies left him somewhat isolated after the Spanish Civil War\, and many of his later zarzuelas were first seen outside the capital or in less prestigious Madrid theatres. \nSorozábal’s theatrical vitality\, musical wit and dramatic force are second to none in the history of zarzuela. \n¿Quién es Sorozábal? \nPablo Sorozábal (18 de septiembre de 1897 – 26 de diciembre de 1988) fue un compositor español de zarzuelas\, óperas y obras sinfónicas. Este año se cumplen 125 años del nacimiento de Sorozabal. Nació en San Sebastián\, en el seno de una familia de clase trabajadora. \nLas simpatías liberales de Sorozábal lo dejaron algo aislado después de la Guerra Civil española\, y muchas de sus zarzuelas posteriores se vieron por primera vez fuera de la capital o en teatros menos prestigiosos de Madrid. \nLa vitalidad teatral\, el ingenio musical y la fuerza dramática de Sorozábal son insuperables en la historia de la zarzuela. \nTEAM\nSofía Raphaela Papadakis \nCatalina Juliet Wallace \nBlack Michael Lafferty-Smith \nWhite Giuseppe Pellingra \nMarat / Dupont David Powton \nChild Simon Bundock \nPiano Ricardo Gosalbo \nViolin Elena Jáuregui \nCREATIVE TEAM \nDirector Paula Paz \nMusic Director and music adaptation\nRicardo Gosalbo \nSet and costume designer Caitlin Abbott \nLighting Designer Lucía Sanchez \nMakeup Artist Guy Common \nAssistant Director Monica Cox \nLibretto’s adaptation Ignacio García \nTranslation Simon Breden \nCERVANTES THEATRE TEAM \nArtistic Director Jorge de Juan \nArtistic Director Paula Paz \nHouse Manager Puerto Baker \nProduction Manager Diego Gutiérrez \nGraphic Design Josele Mesa
URL:https://www.hispanicmusic.co.uk/event/black-el-payaso-2/
LOCATION:Cervantes Theatre\, 229 Union Street\, London\, SE1 0LR\, United Kingdom
CATEGORIES:Zarzuelas
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2022/06/BEP2_WEB.jpeg
ORGANIZER;CN="Cervantes Theatre":MAILTO:info@cervantestheatre.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220802T193000
DTEND;TZID=UTC:20220806T213000
DTSTAMP:20260501T165513
CREATED:20220626T141709Z
LAST-MODIFIED:20220626T142118Z
UID:935-1659468600-1659821400@www.hispanicmusic.co.uk
SUMMARY:Black\, el payaso
DESCRIPTION:BLACK THE CLOWN\nBLACK EL PAYASO\nby Pablo Sorozábal\nLibretto by Francisco Serrano Anguita\nLibretto adapted by Ignacio García\nDirected by Paula Paz\nMusic Direction by Ricardo Gosalbo \n2-6 AUG Arcola Theatre\n20-24 SEP Cervantes Theatre \nThis Cervantes Theatre production will be at the Arcola Theatre as part of the Grimeborn Festival 2nd – 6th August 2022 and at the Cervantes Theatre 20th – 24th September. \nEsta producción del Cervantes Theatre se representará en el Arcola Theatre como parte del Grimeborn Festival del 2 al 6 de agosto y en el Cervantes Theatre del 20 al 24 de septiembre. \nExiled from a country immersed in civil war\, two clowns find themselves in the heart of the Parisian underworld at a time of revolution. \nBlack\, el Payaso / Black\, the Clown is one of Pablo Sorozábal‘s most ambitious and wide-ranging work. An ingenious allegory of art and nationalist politics\, its sharp and political edge that remains relevant today. The libretto is based on the French novel La princesse aux clowns by Jean-José Frappa. \nThis Spanish operetta / zarzuela first premiered in Spain in 1942.  This Cervantes Theatre production directed by Paula Paz marks its UK premiere. \nDos payasos en el exilio procedentes de un país inmerso en una guerra civil se hallan en el corazón de los bajos fondos parisinos en tiempos de revolución. \nBlack\, el Payaso es uno de los trabajos más ambiciosos y de más amplio alcance de Pablo Sorozábal. Es una alegoría ingeniosa del arte y de la política nacionalista\, de una agudeza política que sigue estando vigente hoy en día. El libreto se inspira en la novela francesa La princesse aux clowns de Jean-José Frappa. \nEsta opereta / zarzuela se estrenó en España en 1942 y ahora se estrena en el Reino Unido con esta novedosa producción del Cervantes Theatre dirigida por Paula Paz. \nTEAM \nSofía Raphaela Papadakis \nCatalina Juliet Wallace \nBlack Michael Lafferty-Smith \nWhite Giuseppe Pellingra \nMarat / Dupont David Powton \nChild Simon Bundock \nPiano Ricardo Gosalbo \nViolin Elena Jáuregui \nCREATIVE TEAM \nDirector Paula Paz \nMusic Director and music adaptation\nRicardo Gosalbo \nLighting Designer Lucía Sanchez \nSet and costume designer Caitlin Abbott \nAssistant Director Monica Cox \nLibretto’s adaptation Ignacio García \nTranslation Simon Breden \nCERVANTES THEATRE TEAM \nArtistic Director Jorge de Juan \nArtistic Director Paula Paz \nHouse Manager Puerto Baker \nProduction Manager Diego Gutiérrez \nGraphic Design Josele Mesa
URL:https://www.hispanicmusic.co.uk/event/black-el-payaso/
LOCATION:Arcola Theatre\, 24 Ashwin Street\, London\, E8 3DL\, United Kingdom
CATEGORIES:Zarzuelas
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2022/06/Poster_BEP_WEB-2.jpeg
ORGANIZER;CN="Cervantes Theatre":MAILTO:info@cervantestheatre.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211129T180000
DTEND;TZID=UTC:20211129T190000
DTSTAMP:20260501T165513
CREATED:20210830T134510Z
LAST-MODIFIED:20211119T122608Z
UID:874-1638208800-1638212400@www.hispanicmusic.co.uk
SUMMARY:Highlights of Hispanic Art Song
DESCRIPTION:Under the direction of Ricardo Gosalbo\, Guildhall School singers and pianists embark on a musical journey through various Spanish-speaking countries to explore Hispanic Art Song’s vast riches. \nPERFORMERS:\nAlexander Arenare (piano)\, Callum Champion (piano)\, Dena Goodman (soprano)\, Jacob Harrison (baritone)\, Thomas Jesty (piano)\, Shana Moron-Caravel (mezzosoprano)\, Emelia Noack-Wilkinson (piano)\, Eiry Price (soprano)\, Kang Yang (baritone)\, Miku Yasukawa (soprano) \nPROGRAMME:\nRodolfo Halffter/Rafael Alberti: ‘Qué altos los balcones’\, from ‘Marinero en tierra’ (Spain/Mexico)\nRodolfo Halffter/Rafael Alberti: ‘Verano’\, from ‘Marinero en tierra’ (Spain/Mexico)\nRodolfo Halffter/Rafael Alberti: ‘Gimiendo por ver el mar’\, from ‘Marinero en tierra’ (Spain/Mexico)\nXavier Montsalvatge i Bassols/Rafael Alberti: ‘Cuba dentro de un piano’\, from ‘Cinco canciones negras’ (Spain)\nBlas Galindo/Alfonso del Río: ‘Arrullo’ (Mexico)\nCarlos Guastavino/Francisco Silva y Valdés: ‘La rosa y el sauce’ (Argentina)\nYvette Souviron: ‘Al banco solitario’ (Argentina)\nCarlos Guastavino/Hamlet Lima Quintana: ‘Pampamapa’\, from ‘Doce canciones populares’ (Argentina)\nJaime León Ferro/Julio Flórez Roa: ‘Cuando lejos\, muy lejos’ (Colombia)\nEnrique Granados/Fernando Periquet: ‘La maja dolorosa No. 2’ (¡Ay majo de mi vida!)\, from ‘Doce tonadillas en estilo antiguo’ (Spain)\nEnrique Granados/Fernando Periquet: ‘El majo tímido’\, from ‘Doce tonadillas en estilo antiguo’ (Spain)\nJaime León Ferro/José Asunción Silva: ‘A tí’ (Colombia)\nCarlos Guastavino/Arturo Vázquez Cey: ‘Bonita rama de sauce’\, from ‘Doce canciones populares’ (Argentina)\nEduardo Sánchez de Fuentes: ‘Deseo’ (Cuba)\nEnrique Granados/Anonymous: ‘Mira que soy niña’\, from ‘Canciones amatorias’ (Spain)\nFernando Obradors/Anonymous: ‘Del cabello más sutil’\, from ‘Canciones clásicas españolas’ (Spain)\nManuel Ponce: ‘Estrellita‘ (Mexico)\nCarlos Guastavino: ‘Pueblito\, mi pueblo’ (Argentina) \nIn collaboration with the Instituto Cervantes London.
URL:https://www.hispanicmusic.co.uk/event/highlights-of-hispanic-art-song/
LOCATION:Silk Street Music Hall – Guildhall School of Music & Drama\, Silk Street\, Barbican\, London\, EC2Y 8DT\, United Kingdom
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2021/08/mponce6.jpeg
ORGANIZER;CN="Guildhall School of Music & Drama":MAILTO:info@gsmd.ac.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210608T180000
DTEND;TZID=UTC:20210615T180000
DTSTAMP:20260501T165513
CREATED:20210425T141029Z
LAST-MODIFIED:20210501T160922Z
UID:850-1623175200-1623780000@www.hispanicmusic.co.uk
SUMMARY:Zarzuela Gala
DESCRIPTION:Guildhall singers embark on a musical journey to sunlit Spain to explore Zarzuela’s vast riches. Under the direction of movement director Charlie Morgan and pianist Ricardo Gosalbo\, this performance features highlights by masters of the genre such as Francisco Asenjo Barbieri\, Tomás Bretón and Ruperto Chapí. \n\nClick the following link to watch this free online broadcast on the days and times indicated above:\nhttps://www.gsmd.ac.uk/summer_2021/songs_at_six/
URL:https://www.hispanicmusic.co.uk/event/zarzuela-gala-2021/
LOCATION:Online broadcast
CATEGORIES:Online broadcasts,Zarzuelas
ATTACH;FMTTYPE=image/png:https://www.hispanicmusic.co.uk/wp-content/uploads/2018/09/Zarzuela2-604x270.png
ORGANIZER;CN="Guildhall School of Music & Drama":MAILTO:info@gsmd.ac.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210408T180000
DTEND;TZID=UTC:20210430T180000
DTSTAMP:20260501T165513
CREATED:20191210T143720Z
LAST-MODIFIED:20210425T140609Z
UID:662-1617904800-1619805600@www.hispanicmusic.co.uk
SUMMARY:Bécquer 150
DESCRIPTION:Gustavo Adolfo Bécquer (1836–1870) is widely considered the quintessential Spanish Romantic author. His poetry was crucial in the establishment of the Spanish Lied\, and its impact on Spanish music has been far-reaching. The Becquerian song settings span over a century and feature breath-taking variety\, offering unique insights into the evolution of Spanish art song. \nRicardo Gosalbo directs this concert marking Bécquer’s recent 150th anniversary with a programme of songs – including many UK premieres – by celebrated composers such as Manuel de Falla\, Joaquín Turina and Federico Mompou\, as well as lesser-known gems by José Espí Ulrich\, Enrique Fernández Arbós and José María Guervós. \nClick here to watch this free online broadcast on the day and time indicated:\nhttps://www.gsmd.ac.uk/spring_2021/songs_at_six/ \nDownload the programme
URL:https://www.hispanicmusic.co.uk/event/becquer-150/
LOCATION:Online broadcast
CATEGORIES:Lecture-recitals,Lectures,Online broadcasts,Recitals
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2019/12/04-retrato_de_gustavo_adolfo_becquer_por_valeriano_becquer_02_s.jpg
ORGANIZER;CN="Hispanic Music Series":MAILTO:mail@hispanicmusic.co.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200720
DTEND;VALUE=DATE:20200821
DTSTAMP:20260501T165513
CREATED:20200709T134525Z
LAST-MODIFIED:20200709T134909Z
UID:779-1595203200-1597967999@www.hispanicmusic.co.uk
SUMMARY:Podcast: Spanish songs in exile
DESCRIPTION:Link to podcast:https://www.hispanicmusic.co.uk/spanish-songs-in-exile/
URL:https://www.hispanicmusic.co.uk/event/podcast-spanish-songs-in-exile/
LOCATION:Online broadcast
CATEGORIES:Podcast
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2020/06/REsidencia-de-estudiantes-2.jpg
ORGANIZER;CN="Hispanic Music Series":MAILTO:mail@hispanicmusic.co.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200706
DTEND;VALUE=DATE:20200707
DTSTAMP:20260501T165513
CREATED:20200628T120018Z
LAST-MODIFIED:20200627T095716Z
UID:591-1593993600-1594079999@www.hispanicmusic.co.uk
SUMMARY:Songs from Argentina
DESCRIPTION:** IMPORTANT: due to COVID-19\, this event has been moved online. ** \nGuildhall School singers and pianists perform a selection of songs by Argentinian composers\, featuring in particular Carlos Guastavino to mark the 20 years since his death.
URL:https://www.hispanicmusic.co.uk/event/songs-from-argentina/
LOCATION:Online broadcast
CATEGORIES:Concerts
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2019/07/tango-advertisement-small-e1562684824160.jpg
ORGANIZER;CN="Guildhall School of Music & Drama":MAILTO:info@gsmd.ac.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20200217T193000
DTEND;TZID=UTC:20200217T210000
DTSTAMP:20260501T165513
CREATED:20191103T163939Z
LAST-MODIFIED:20191103T163939Z
UID:637-1581967800-1581973200@www.hispanicmusic.co.uk
SUMMARY:Chilean Piano Music Recital
DESCRIPTION:Award-winning Chilean pianist Danor Quinteros is coming to London for a spectacular recital with classical music by Chilean composers from different historical periods\, including an impressionist gem by Enrique Soro. \nChilean pianist Danor Quinteros has received critical acclaim and numerous national and international awards. Praised for his artistic subtlety and skill\, he has appeared in multiple Halls and venues such as Teatro Municipal de Santiago\, Tonhalle Zürich\, Klavierfestival-Ruhr\, Banff Centre and the Romanian Atheneum. Recently\, Danor rendered a memorable performance of Rachmaninoff’s Second Piano Concerto with the George Enescu Philharmonic Orchestra during the final of the Enescu Competition 2016 in Bucharest and was awarded the 3rd Prize. \nThis concert has been brought to London thanks to the support of King’s College London and the International Society for Chilean Music. \nSee Danor in action here: \nDanor plays Chopin \nQuinteros has also been a prizewinner in many other piano competitions around the world including the Ile de France Piano Competition\, Santa Cecilia Piano Competition in Porto\, Académie de Musique Lausanne\, Dr Luis Sigall Competition\, Claudio Arrau International Competition\, etc. Similarly\, as the winner of the “Premio Assoluto” in the Pietro Argento International Competition\, he has been invited to be a member of the jury for next year’s edition. \nBorn in Santiago\, Danor studied at Universidad Católica de Chile with pianist María Iris Radrigán. Later he continued his studies with Jacob Leuschner at the Hochschule für Musik Köln and with Pavel Gililov at the Mozarteum in Austria\, graduating with highest distinctions from both Universities. Further studies and collaborations with renowned pianists and professors such as Jacques Rouvier\, Julian Martin\, Robert McDonald\, Matti Raekallio and Pierre-Laurent Aimard\, among others\, helped him to shape his style and provided him with new perspectives on music as well as valuable ideas that served him as a source of inspiration for his distinctive artistic personality. \nHis vast repertoire ranges from D. Scarlatti and M. Clementi to G. Ligeti and U. Chin. Additionally\, he is passionate about undeservedly under-performed composers such as Enescu\, Medtner\, Bowen and Soro. Music by these composers often appear on his recitals and can be heard in his recordings. \nLast year\, Danor Quinteros released an EP with works by Bartók\, Medtner and Ligeti for Leaf Music™ in Canada.
URL:https://www.hispanicmusic.co.uk/event/chilean-piano-music-recital/
LOCATION:St Davids Room – King’s College London\, Strand\, London\, WC2R 2LS\, United Kingdom
CATEGORIES:Recitals
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2019/11/https___cdn.evbuc_.com_images_78923119_44051623842_1_original.jpeg
ORGANIZER;CN="International Society for Chilean Music":MAILTO:office@simuc.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191127T183000
DTEND;TZID=UTC:20191127T200000
DTSTAMP:20260501T165513
CREATED:20190604T173843Z
LAST-MODIFIED:20191103T161114Z
UID:562-1574879400-1574884800@www.hispanicmusic.co.uk
SUMMARY:Spanish songs in exile
DESCRIPTION:Hispanic Music Series\, Spanish in Motion-Project at LSE\, and Cervantes Institute London present \n‘Spanish songs in exile’ \na lecture-recital in Spanish. \nDescription: \nMarking the 80th anniversary of the end of the Spanish civil war\, this lecture-recital will offer insights into Spanish song-making in exile. The programme will feature songs by composers such as Manuel de Falla\, Julián Bautista\, Josep Valls and Rodolfo Halffter. \nArt song developed comparatively late in Spain\, and it was not until the 1910s that Manuel de Falla and Enrique Granados established the first significant milestones in the genre. Their song cycles and sets became a reference for the next generation of composers who started their careers in the 1920s and 1930s\, always under the concern of how to combine modernity with national identity. Many of these composers then exiled during the Spanish Civil War and the beginning of Franco’s dictatorship\, and this experience also influenced how they engaged with art song. This lecture-recital will introduce some of the most significant art songs – some of them practically unknown today – by this exiled generation\, and it will also celebrate the performers\, such as Conxita Badia and Mercé Plantada\, who strived to make these songs heard in Spain and beyond. \nLecturers/performers: \nDr. Eva Moreda (University of Glasgow) \nEva Moreda Rodriguez is a Senior Lecturer in Musicology at the University of Glasgow. She is the author of the books Music and exile in Francoist Spain (Ashgate\, 2015) and Music criticism and music critics in Francoist Spain (Oxford University Press\, 2016)\, as well as numerous articles and book chapters on the cultural and political history of Spanish music from the late nineteenth century to the late Franco regime. Her current project on the early reception and dissemination of recording technologies in Spain (1877-1905) received a Leadership Fellowship form the Arts and Humanities Research Council. \nLaura Ruhí Vidal \nCatalan Soprano Laura Ruhí Vidal (Girona\, 1990) graduated from the Opera Course at the Guildhall School of Music & Drama\, where she also studied the BMus (Hons) and was awarded an Artist Fellowship. With a wide range of experience in the UK in venues such as the Cadogan Hall (performances with musician and comedian Rainer Hersch)\, The Barbican\, St Martin in the Fields\, Purcell Room\, Kings Place\, The Sage Gateshead and festivals such as Aldeburgh Festival\, Spanish Song and Zarzuela Festival\, amongst others\, Laura is an accomplished performer. In opera\, Laura has performed across the UK with companies West Green House Opera\, MidWales Opera\, Longborough Opera Festival\, Opera Project\, Pop-Up Company\, Tête à tête Festival\, etc. Furthermore\, Laura has performed with the “Maria Camahort Quintet”\, a chamber ensemble performing traditionally rooted Spanish classical music\, and recorded two CD albums: Iberian Colours (Convivium Records) and Danzas\, Canciones y Nanas (Guitar Records). \nRicardo Gosalbo (Guildhall School of Music & Drama) \nRicardo Gosalbo is a Spanish-French collaborative pianist. He has held fellowships at Trinity Laban Conservatoire of Music and Dance and the Guildhall School of Music and Drama\, where he currently works as a Spanish music tutor. A devoted champion of Spanish and Hispano-American music\, Ricardo combines his duties as artistic coordinator of the Hispanic Music Series in London with his doctoral research on Spanish Art Song. He has performed extensively with classical singers throughout Europe and has won numerous prizes for it including the ‘Prix de Lied’ at the Concours International de chant-piano Nadia et Lili Boulanger\, the Oxford Lieder Young Artist and the Paul Hamburger Prize. \n—————————————————————– \nHispanic Music Series\, Spanish in Motion-Project at LSE\, y el Instituto Cevantes Londres presentan \n“La canción lírica española del exilio” \nuna conferencia-recital en castellano. \nResumen: \nEn conmemoración del 80 aniversario del fin de la Guerra Civil española\, esta conferencia-recital tratará la obra cancionística de compositores españoles exiliados como Manuel de Falla\, Julián Bautista\, Josep Valls y Rodolfo Halffter. \nLa canción de concierto tuvo un desarrollo relativamente tardío en España\, y no es hasta los años 10 del siglo XX que Manuel de Falla y Enrique Granados establecen los primeros hitos significativos en el género. Sus ciclos y colecciones de canciones se convierten en un punto de referencia obligado para la siguiente generación de compositores que comienzan sus carreras en los años 20 y 30\, marcados por la gran cuestión de cómo combinar modernidad con identidad nacional. Varios de estos compositores se exilian posteriormente durante la Guerra Civil y a comienzos de la dictadura franquista\, y esta experiencia influye también en su tratamiento del género. Esta charla presenta algunas canciones más destacadas – algunas de ellas prácticamente desconocidas – de esta generación exiliada\, además de celebrar a las intérpretes\, como Conxita Badia y Mercé Plantada\, que trabajaban por dar a conocer estas obras en España y fuera de ella. \nPonente e intérpretes: \nDra. Eva Moreda (Universidad de Glasgow) \nEva Moreda Rodríguez es Senior Lecturer en Musicología en la Universidad de Glasgow. Es autora de los libros Music and exile in Francoist Spain (Ashgate\, 2015) y Music criticism and music critics in Francoist Spain (Oxford University Press\, 2016)\, así como de numerosos artículos y capítulos sobre la historia cultural y política de la música española de finales del XIX a finales del régimen de Franco. Su actual proyecto sobre los comienzos de la historia de las tecnologías de grabación en España recibió una subvención “Leadership Fellowship” del Arts and Humanities Research Council. \nLaura Ruhí Vidal \nRicardo Gosalbo (Guildhall School of Music & Drama) \nRicardo Gosalbo es un pianista hispano-francés. Defensor devoto de la música española e hispanoamericana en el extranjero\, Ricardo compagina su labor como profesor de música hispana en el prestigioso Guildhall School of Music and Drama con la coordinación artística del Hispanic Music Series de Londres\, así como con su trabajo de investigación en el ámbito de la canción lírica española. Ha actuado con cantantes por toda Europa y ha sido galardonado numerosas veces por ello\, entre otros con el “Premio de Lied” del Concurso Internacional de canto y piano Nadia y Lili Boulanger\, y con el Oxford Lieder Young Artist. \n—————————————————————– \nProgramme/programa: \nJosep Valls –  Chant populaires catalans:\n– Tres tambors\n– L’enyor\nEnrique Casal Chapí – Villancico (de Lope de Vega)\nGustavo Durán – Si me fuera\, amante mía (de “La amante” de Rafael Alberti)\nSalvador Bacarisse – Nana del niño muerto (de “Tres nanas de Rafael Alberti” Op. 20)\nErnesto Halffter – La corza blanca (de “Dos canciones de Rafael Alberti”)\nManuel de Falla – Siete canciones populares españolas:\n– El paño moruno\n– Seguidilla murciana\n– Asturiana\n– Jota\n– Nana\n– Canción\n– Polo
URL:https://www.hispanicmusic.co.uk/event/spanish-songs-in-exile/
LOCATION:Shaw Library – London School of Economics and Political Science\, Houghton Street\, London\, WC2A 2AE
CATEGORIES:Lecture-recitals
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2019/06/exile1.jpg
ORGANIZER;CN="Instituto Cervantes London":MAILTO:cenlon@cervantes.es
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20191113T180000
DTEND;TZID=UTC:20191113T193000
DTSTAMP:20260501T165513
CREATED:20190702T165654Z
LAST-MODIFIED:20191016T124922Z
UID:579-1573668000-1573673400@www.hispanicmusic.co.uk
SUMMARY:Zarzuela Gala
DESCRIPTION:A musical gala featuring a selection of popular highlights of Spanish Zarzuela. Guildhall School singers will perform solos\, duets and ensembles\, in this show directed by Ricardo Gosalbo and Charlie Morgan and sponsored by the British Spanish Society. \nPerformers: Kamil Bien (tenor)\, Cicely He (soprano)\, Simone Ibbett-Brown (mezzo)\, Astrid Joos (soprano)\, Carla Satrústegui Reclusa (soprano)\, Joël Alexandre Terrin (baritone)\, Valerie Wong (soprano) and Marina Staneva (pianist).
URL:https://www.hispanicmusic.co.uk/event/zarzuela-gala/
LOCATION:Silk Street Music Hall – Guildhall School of Music & Drama\, Silk Street\, Barbican\, London\, EC2Y 8DT\, United Kingdom
CATEGORIES:Zarzuelas
ATTACH;FMTTYPE=image/png:https://www.hispanicmusic.co.uk/wp-content/uploads/2018/09/Zarzuela2-604x270.png
ORGANIZER;CN="Guildhall School of Music & Drama":MAILTO:info@gsmd.ac.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190621T190000
DTEND;TZID=Europe/London:20190621T203000
DTSTAMP:20260501T165513
CREATED:20181116T222708Z
LAST-MODIFIED:20190407T112032Z
UID:449-1561143600-1561149000@www.hispanicmusic.co.uk
SUMMARY:The beginnings of recorded music in Spain
DESCRIPTION:The beginnings of recorded music in Spain \nThis lecture-recital will cover\, through both historical recordings and live performance\, the beginnings (1896-1914) of commercial recorded music in Spain\, both in the hands of multinationals such as Gramophone and Victor\, and small-scale local businesses (the so-called ‘gabinetes fonográficos’) which recorded on wax cylinders. Particular attention will be paid to the first Spanish opera and zarzuela singers to record for the phonograph and gramophone; their names are scarcely known nowadays (Josefina Huguet\, Pepita Alcácer\, Marina Gurina\, Anita Lopeteghi\, Amalia Campos\, etc.)\, but their voices open up a fascinating window on the singing techniques and repertoires that Spaniards were familiar with around 1900. \nLos inicios de la fonografía en España \nEsta conferencia-concierto explorará\, a través de grabaciones históricas y música en directo\, los inicios (1896-1914) de la fonografía comercial en España\, tanto a manos de multinacionales como Gramophone y Victor como de pequeños negocios locales conocidos como “gabinetes fonográficos” que grababan en cilindros de cera. La conferencia prestará especial atención a las primeras cantantes españolas de ópera y zarzuela en realizar grabaciones fonográficas y gramofónicas\, cuyos nombres son hoy poco conocidos (Josefina Huguet\, Pepita Alcácer\, Marina Gurina\, Anita Lopeteghi\, Amalia Campos\, etc.)\, pero cuyas voces nos abren una fascinante ventana sobre las técnicas de canto y los repertorios que se escuchaban en España en torno a 1900. \nLecturer: Prof. Eva Moreda (University of Glasgow) \nEvent free to attend but booking is required at:\nhttps://www.eventbrite.co.uk/e/the-beginnings-of-recorded-music-in-spain-registration-59585690404 \nMore information:\nhttps://www.gsmd.ac.uk/about_the_school/view_all_events/?tx_julleevents_pi1%5BshowUid%5D=6113
URL:https://www.hispanicmusic.co.uk/event/the-beginnings-of-recorded-music-in-spain/
LOCATION:Milton Court Rehearsal Room 1 – Guildhall School of Music & Drama\, Milton Court\, 1 Milton Street\, London\, EC2Y 9BH\, United Kingdom
CATEGORIES:Lecture-recitals
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2018/11/fonografo-edison-standard-del-ano-1901-funciona-muy-bien-con-10-cilindros-originales.jpg
ORGANIZER;CN="Guildhall School of Music & Drama":MAILTO:info@gsmd.ac.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190528T180000
DTEND;TZID=UTC:20190528T190000
DTSTAMP:20260501T165513
CREATED:20181109T135430Z
LAST-MODIFIED:20190503T161048Z
UID:442-1559066400-1559070000@www.hispanicmusic.co.uk
SUMMARY:Songs at Six: tribute to Joaquín Rodrigo
DESCRIPTION:Guildhall School postgraduate singers and pianists perform songs by the Spanish composer Joaquín Rodrigo as a tribute on the 20th anniversary of his passing. Concert curated by Ricardo Gosalbo and supported by the Instituto Cervantes London. \nPerformed by Riho Akagi (piano)\, Holly Brown (soprano)\, Ellie Dann (mezzo)\, Achinoam Keisar (piano)\, Rachael Liddell (mezzo)\, Feilin Liu (piano)\, Luke Scott (baritone) & Valerie Wong (soprano). \nMore information:\nhttps://www.gsmd.ac.uk/music/view_all_events/event_single_view/?tx_julleevents_pi1%5BshowUid%5D=6092 \nFree entrance. Register here:\nhttps://www.eventbrite.com/e/tu-voz-y-tu-mano-the-art-and-music-of-sorolla-and-rodrigo-tickets-61149769607
URL:https://www.hispanicmusic.co.uk/event/songs-at-six-tribute-to-joaquin-rodrigo/
LOCATION:Lecture Recital Room – Guildhall School of Music & Drama\, Silk Street\, Barbican\, London\, EC2Y 8DT\, United Kingdom
CATEGORIES:Recitals
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2018/11/joaquin_rodrigo.jpg
ORGANIZER;CN="Guildhall School of Music & Drama":MAILTO:info@gsmd.ac.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190509T144500
DTEND;TZID=UTC:20190509T153000
DTSTAMP:20260501T165513
CREATED:20190503T121458Z
LAST-MODIFIED:20190503T121747Z
UID:541-1557413100-1557415800@www.hispanicmusic.co.uk
SUMMARY:(Dis)embodied singers in Cervantes
DESCRIPTION:Given that printed texts don’t come with sound effects\, it’s not obvious why characters in novels are made to speak\, let alone sing; and when they do\, what are we supposed to hear? Cervantes was clearly fascinated by the challenge of ‘writing singing’ and returned to the problem time and again. In the majority of cases he wrote singing as a performance in real time\, with the (often lengthy) lyrics pasted into the main text of the novel. But this paper will discuss a number of alternative approaches drawn from Don Quijote (1605\, 1615)\, the Novelas ejemplares (1613) and Persiles y Sigismunda (1616). In all of Cervantes’s major works we find singers who are de-voiced\, disembodied or disempowered: a shipwrecked Portuguese lover\, a nun with a beautiful voice\, a muleteer with ‘the best voice you’ll ever hear’\, and Feliciana de la Voz\, a woman who is her voice—until she loses it. \nLecturer: Barry Ife\, Guildhall School of Music & Drama
URL:https://www.hispanicmusic.co.uk/event/disembodied-singers-in-cervantes/
LOCATION:Milton Court Seminar Room – Guildhall School of Music & Drama\, Silk Street\, London\, EC2Y 9BH\, United Kingdom
CATEGORIES:Lectures
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2019/05/Cervantes_Jáuregui.jpg
ORGANIZER;CN="Guildhall School of Music & Drama":MAILTO:info@gsmd.ac.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190216T190000
DTEND;TZID=UTC:20190216T203000
DTSTAMP:20260501T165513
CREATED:20181210T172704Z
LAST-MODIFIED:20190205T134343Z
UID:469-1550343600-1550349000@www.hispanicmusic.co.uk
SUMMARY:¡Ay\, amor!
DESCRIPTION:Hispanic Music Series\, in collaboration with Instituto Cervantes London\, presents Marta López Fernández (harpsichord) and Jorge Navarro Colorado (tenor) in a recital of XVIIth century Spanish solo keyboard music and Tonos Humanos for voice and keyboard\, featuring composers such as Juan Hidalgo\, Antonio de Cabezón\, Sebastián Durón and José Marín. This event will be curated by our special guest of honour and expert in the field professor Sir Barry Ife. \nHispanic Music Series en colaboración con el Instituto Cervantes de Londres presentan un recital de tonos humanos y música española del siglo XVII para voz y clave\, compuesta por Juan Hidalgo\, Antonio de Cabezón\, Sebastián Durón y José Marín\, entre otros. El programa será interpretado por Marta López Fernández (clave) y Jorge Navarro Colorado (tenor)\, y contará con Sir Barry Ife como invitado de honor y experto en la materia. \n\nProgramme: \nAy que si\, ay que no\, Juan Hidalgo\nEn los floridos páramos\, Juan Hidalgo\nPara qué\, son esas flores\, Joseph de Torres \nDiferencias sobre el Canto del Caballero\, Antonio de Cabezón \nAy silencio apacible\, Carlos de Borja\nDígalo yo que en las alas\, Sebastián Durón\nBaile del herbolario\, Juan Serqueyra de Lima\nRomerico florido\, Capitan\nVuelve barquilla\, Anónimo \nDoulce mémoire\, Hernando de Cabezón \nYa los caballos\, Cristóbal Galán\nAy triste del que a sus rayos\, Juan Hidalgo\nDe la sierra morena\, José Marín\nYa desengaño mío\, José Marín \nInterval \nTiento sobre la Letanía de la Virgen\, Pablo Bruna \nMolinillo\, Juan del Vado\nSepan Todos\, José Marín\nAbril floreciente\, Sebastián Durón\nPajarillo si lloras ausente\, Anónimo \nRecercata y Sonata en Re Mayor\, Sebastián de Albero \nAy amor\, Juan Hidalgo\nAvecilla\, si picas\, Joseph Gaz\nDulce desdén\, Juan Arañés\nVuestra belleza señora\, Anónimo\nDe nubes de una tristeza\, Anónimo\nEsperar\, sentir\, morir\, Juan Hidalgo \n\nPerformers: \nMARTA LÓPEZ FERNÁNDEZ harpsichord \nPhoto credit: Sandra Vijandi/Handel & Hendrix in London \nMarta López Fernández is a Spanish early keyboard specialist based in London. During the last season she was an Artist in residence at Handel & Hendrix in London as part of their Handel House Talent Scheme. Since moving to London Marta has shown a particular interest towards historical instruments which led her to perform Fenton House\, Horniman Museum\, Hatchlands Park and Handel Hendrix House.  Her Spanish-themed harpsichord recital “Les folies d’Espagne” brought her to Madrid where she performed at the Museo Nacional De Artes Decorativas\, as part of the MusaE project organised by Juventudes Musicales de España. \nMarta is also a keen continuo player and she was invited to play in the Academy of Ancient Music Aamplify Scheme\, featuring workshops and concerts directed by Pavlo Beznosiuk and John Butt in Cambridge and at the Deal Festival. More recently she has been invited to the Orchestra of the Age of Enlightenment Experience Scheme. She is a sought-after continuo player that performs regularly in oratorio and opera productions\, collaborating with Eboracum Ensemble\, Alba Consort and The Little Orchestra. Marta has also worked with conductors Eamonn Dougan\, Robert Howarth and Tom Seligman. \nAfter graduating from the Guildhall School of Music & Drama with a Masters in Piano Accompaniment with Pamela Lidiard and Peter Bithell she went on to study harpsichord and organ with Johnstone and Carole Cerasi. She has been awarded the Guildhall Artist Fellowship in Harpsichord & Organ at the Guildhall School of Music & Drama (2015-2017).\nShe has taken part in Masterclasses with Menno van Delft\, Richard Egarr\, Olivier Baumont\, Marieke Spaans\, Emma Kirkby and Montserrat Torrent. In 2018 Marta was selected for the Advanced Baroque Orchestra at the Dartington International Summer Course where she was able to work extensively on St Matthew Passion. \nJORGE NAVARRO COLORADO tenor \n \nJorge Navarro Colorado graduated from the Opera Course of the Guildhall School of Music\, is a Britten-Pears Alumnus and a Samling Artist.  \nHe has worked with conductors included David Angus\, Renato Balsadonna\, Stephen Barlow\, Christopher Bucknall\, William Christie\, Laurence Cummings\, Gianluca Marcianò\, Iñaki Encina Oyón and Timothy Redmond\, and has sung and understudied principal roles with Scottish Opera\, British Youth Opera\, Chelsea Opera Group\, Garsington Opera\, Glyndebourne Festival Opera\, Grange Park Opera\, New Chamber Opera\, the New London Consort and Wexford Festival Opera.  \nJorge Navarro Colorado made his debut at the 2017 Göttingen Festival as Berengario Lotario. Recent engagements include the title role in Carissimi’s Jonas for English Touring Opera\,Circles within Circles at the  2018 London Song Festiva\, Baby John West Side Story at the  2018Bath Festival\, Damon Acis and Galatea at the 2018 London Handel Festival\, Emilio Partenope for Iford Arts\, Tempo Il Trionfo del Temp e del Disinganno for the Académie de musique ancienne  2018 at the Festival de Périgord Noir and at the Theater Aachen\, Apollo L’Orfeo for Gothenburg Baroque\, Don Ottavio Don Giovanni for HeadFirst Productions\, Settimio in Porpora’s L’Agrippina for Barber Opera\, Ton Koopman’s reconstruction of J. S. Bach St Mark Passion with the BZM Ensemble\, Barcelona\, Grandes Mecenas (Music by J. S. Bach and Handel) with the Orquesta Barroca Alicante\, Britten St Nicolas with the Capilla de Música Santa María del Coro\, San Sebastián and Haydn Stabat Mater with the Polski Chór Kameralny.  \nCurrent engagements include J. S. Bach Christmas Oratorio with Gothenburg Baroque\, Britten Serenade for Tenor\, Horn and Strings with the Israel Chamber Orchestra and Fairest Isle\, music by Purcell with the Irish Baroque Orchestra. \nwww.jorgencolorado.com
URL:https://www.hispanicmusic.co.uk/event/ay-amor/
LOCATION:Cervantes Theatre\, 229 Union Street\, London\, SE1 0LR\, United Kingdom
CATEGORIES:Concerts,Recitals
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2018/12/caravaggio.jpg
ORGANIZER;CN="Hispanic Music Series":MAILTO:mail@hispanicmusic.co.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181024T193000
DTEND;TZID=UTC:20181024T210000
DTSTAMP:20260501T165513
CREATED:20180910T094643Z
LAST-MODIFIED:20180910T095321Z
UID:414-1540409400-1540414800@www.hispanicmusic.co.uk
SUMMARY:Zarzuela evening
DESCRIPTION:Guildhall singers celebrate the Spanish Zarzuela tradition\, with works by masters such as Arrieta\, Caballero\, Chapí\, Giménez\, Guerrero\, Serrano\, Sorozábal\, Moreno Torroba and Vives\, in a concert curated by Ricardo Gosalbo and sponsored by the British Spanish Society.
URL:https://www.hispanicmusic.co.uk/event/zarzuela-evening/
LOCATION:Silk Street Music Hall – Guildhall School of Music & Drama\, Silk Street\, Barbican\, London\, EC2Y 8DT\, United Kingdom
CATEGORIES:Concerts,Hispanic Music Series 2018
ATTACH;FMTTYPE=image/png:https://www.hispanicmusic.co.uk/wp-content/uploads/2018/09/Zarzuela2-604x270.png
ORGANIZER;CN="British Spanish Society":MAILTO:info@britishspanishsociety.org
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180516T180000
DTEND;TZID=UTC:20180516T190000
DTSTAMP:20260501T165513
CREATED:20180424T192612Z
LAST-MODIFIED:20180427T092453Z
UID:375-1526493600-1526497200@www.hispanicmusic.co.uk
SUMMARY:Songs at Six | Songs from the Iberian Peninsula and Latin America
DESCRIPTION:Guildhall School’s postgraduate singers and pianists present a programme that draws on the rich and often overlooked heritage of piano-accompanied vocal repertoire from the Iberian Peninsula and Latin America. \nCurated by Ricardo Gosalbo. \nPerformed by Gary Beecher (piano)\, Clara Kanter (mezzo)\, Seung-Ju Lee (piano)\, Chavdar Mazgalov (piano)\, Jessica Ouston (mezzo) and Elsa Roux Chamoux (mezzo). \nProgramme: \nManuel de Falla: Siete canciones populares españolas \nEl paño moruno \nSeguidilla murciana \nAsturiana\nJota\nNana \nCanción \nPolo\n\nXavier Montsalvatge: Cinco canciones negras \nCuba dentro de un piano\nPunto de Habanera\nChévere\nCanción de cuna para dormir a un negrito\nCanto negro\n\nFederico García Lorca: Canciones Españolas Antiguas \nAnda\, jaleo\nLas tres hojas\nNana de Sevilla\n\nFederico Mompou: El combat del somni \nJo et pressentia com la mar\nAra no sé si et veig\, encar\nAquesta nit un mateix vent\nFes-me la vida transparent\nDamunt de tu només les flors\n\nEduard Toldrà: Seis canciones castellanas \nMadre\, unos ojuelos vi\nMañanita de San Juan\nNadie puede ser dichoso\n\nFederico Mompou: Dos melodías de Juan Ramón Jiménez \nPastoral\nLlueve sobre el río\n\nJoaquín Turina: Poema en forma de canciones Op.19 \nDedicatoria\nNunca olvida\nCantares\nLos dos miedos\nLas locas por amor
URL:https://www.hispanicmusic.co.uk/event/songs-at-six-songs-from-the-iberian-peninsula-and-latin-america/
LOCATION:Silk Street Music Hall – Guildhall School of Music & Drama\, Silk Street\, Barbican\, London\, EC2Y 8DT\, United Kingdom
CATEGORIES:Concerts,Hispanic Music Series 2018,Recitals
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2018/02/cropped-Spanish-Song-Gala-Eduard-Antonio-1-reducida-2000.jpg
ORGANIZER;CN="Guildhall School of Music & Drama":MAILTO:info@gsmd.ac.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180515T193000
DTEND;TZID=UTC:20180515T210000
DTSTAMP:20260501T165513
CREATED:20180309T110516Z
LAST-MODIFIED:20180426T123319Z
UID:356-1526412600-1526418000@www.hispanicmusic.co.uk
SUMMARY:The Music of Murillo
DESCRIPTION:Celebrating four hundred years of the birth of Murillo in 1617 and closing the symposium Murillo in Perspective\, Guildhall postgraduate singers perform settings of Spanish Golden-Age lyrics by Joaquín Turina\, Eduard Toldrá\, Joaquín Rodrigo\, Joaquín Nin\, Fernando Obradors and Frederic Mompou against a vibrant backdrop of some of Murillo’s finest drawings and paintings. \nCurated by Ricardo Gosalbo and Professor Barry Ife\, in collaboration with GSMD\, ARTES and King’s College London. \nPerformed by Erika Baikoff (soprano)\, Ingrid Chan (piano)\, Matthew Dixon (baritone)\, Aida Gimeno García (soprano)\, Alice Girle (soprano)\, Richard Hall (piano)\, Camille Lemonnier (piano) and Olivia Sjoberg (mezzo).\n \nPara celebrar el Cuarto Centenario del nacimiento del gran pintor en 1617 y como clausura del simposio Murillo en Perspectiva\, alumnos de posgrado de Guildhall School of Music and Drama interpretarán canciones de Rodrigo\, Obradors\, Turina\, Mompou\, Toldrá y Nin sobre textos de los grandes del Siglo de Oro español como Quevedo\, Lope\, S. Juan de la Cruz\, Literes y Marín. \nUn programa ideado por Ricardo Gosalbo y Prof. Barry Ife\, en colaboración con GSMD\, ARTES y King’s College London \nIntérpretes: Erika Baikoff (soprano)\, Ingrid Chan (piano)\, Matthew Dixon (baritone)\, Aida Gimeno García (soprano)\, Alice Girle (soprano)\, Richard Hall (piano)\, Camille Lemonnier (piano) and Olivia Sjoberg (mezzo).\n \n\nVenue: King’s College London\, St David’s Room K-1.56 \nAdmittance is free\, however registration is required via the following site\, as places are limited:\nhttps://www.eventbrite.com/e/the-music-of-murillo-tickets-45240237769 \nProgramme: \n\nJoaquín Nín | José Marín (1619-1699) | Catorce aires españoles antiguos (1923):\n– Desengañémonos ya…\nJoaquín Nín | José Bassa (1670?-1730?) | Catorce aires españoles antiguos (1923):\n– Minué cantado\nJoaquín Nín | Antonio Literes (1680?-1755?) | Catorce aires españoles antiguos (1923):\n– Aria de Acis y Galatea\nFernando Obradors | Anonymous (17th century) | Canciones clásicas españolas:\n– ¿Corazón porqué pasáis…?\nJoaquín Nín | José Marín (1619-1699) | Catorce aires españoles antiguos (1923):\n– Corazón que en prisión\nEduard Toldrà | Lope de Vega (1562-1635) | Seis canciones castellanas (1941):\n– Cartarcillo\nJoaquín Rodrigo | San Juan de la Cruz (1542-1591) | Cántico de la esposa (1934)\nJoaquín Rodrigo | Lope de Vega (1562-1635) | Coplas del pastor enamorado (1935)\nFernando Obradors | Juan Ponce (16th century) | Canciones clásicas españolas:\n– La mi sola\, Laureola\nFederico Mompou | San Juan de la Cruz (1542-1591) | Cantar del alma\nEduard Toldrà | Lope de Vega (1562-1635) | Seis canciones castellanas (1941):\n– Madre\, unos ojuelos ví\nJoaquín Turina | Lope de Vega (1562-1635) | Homenaje a Lope de Vega Op. 90 (1935):\nI. Cuando tan hermosa os miro\nJoaquín Turina | Lope de Vega (1562-1635) | Homenaje a Lope de Vega Op. 90 (1935):\nII. Si con mis deseos\nJoaquín Turina | Lope de Vega (1562-1635) | Homenaje a Lope de Vega Op. 90 (1935):\nIII. Al val de Fuente Ovejuna\nFernando Obradors | Francisco de Quevedo (1580-1645) | Canciones clásicas españolas:\n– La moza y los calvos (Romance)
URL:https://www.hispanicmusic.co.uk/event/the-music-of-murillo/
LOCATION:Kings College London\, Strand\, London\, WC2R 2LS\, United Kingdom
CATEGORIES:Concerts,Hispanic Music Series 2018,Recitals
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2018/03/Murillo2.jpg
ORGANIZER;CN="Instituto Cervantes London":MAILTO:cenlon@cervantes.es
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180306T180000
DTEND;TZID=UTC:20180306T200000
DTSTAMP:20260501T165513
CREATED:20180217T175246Z
LAST-MODIFIED:20180217T181630Z
UID:334-1520359200-1520366400@www.hispanicmusic.co.uk
SUMMARY:Francisco de Goya in love and song
DESCRIPTION:Lecture-recital with Dr Jacqueline Cockburn\, Karen Schriesheim (soprano)\, Jorge Navarro Colorado (tenor) and Dan Bovey (classical guitar) \nProgramme to include: \nFernando Sor (1778-1839)\n– Cesa de atormentarme\n– Mis descuidados ojos\n– El que quisiera amando\n– Puede una buena moza\nEnrique Granados (1867-1916)\n– Callejeo (from ‘Tonadillas en estilo antiguo’)\n– El majo olvidado (from ‘Tonadillas en estilo antiguo’)\n– El mirar de la maja (from ‘Tonadillas en estilo antiguo’)\n– El majo tímido (from ‘Tonadillas en estilo antiguo’)\n– La maja de Goya (from ‘Tonadillas en estilo antiguo’) \nGoya\, a rough and rebellious artist and the beautiful but capricious duchess of Alba embarked on a liaison which has kept lovers of Goya’s art amused and gossiping for over two hundred years. Over his career however\, he painted women as lover and procuress\, sinner and saint\, worker and aristocrat\, heroine and victim\, goddess and witch. This lecture will explore the many varied ways Goya represented women during his life time. We will explore his relationships with and approaches to women. Naked or clothed they appear in their many guises as Muses who inspire his scrutiny and at times his satirical glance. Women’s roles changed during the eighteenth century. Some lit cannons and battled with a waning Inquisition. Others ruled over the country or were patrons of the arts. Many were victims of war and some were burnt as witches. Goya’s glance is often adoring; his brushstrokes seem to caress their bodies lovingly and sensually. He is also sympathetic and horrified and provides us with extraordinary historical insights. \nGoya’s work inspired musicians and composers and this lecture will be accompanied by singers\, Jorge Navarro and Karen Schriesheim and the classical guitarist Daniel Bovey.\nHaving attended the Spanish military academy\, Fernando Sor (1778-1839) took part in the Spanish War of Independence between 1808-1814. Many composers were forced into exile after the war as a result of their liberal views. Like Ledesma\, León and García\, Sor joined a numerous colony of Spanish exiles in London. Sor wrote many Canciones patrióticas in his exile\, perhaps in the hope of spreading his political message or simply driven by a certain nostalgia/homesickness. These Canciones became remarkable political symbols\, were sung in cafes\, streets\, theatres\, salon gatherings\, and served to bring together Spaniards. Granados’ Tonadillas\, written around 1914\, were inspired by Goya’s depictions of 18th century Madrilenian majos and majas. They bear witness to the extent to which Goya’s work influenced Spanish artists beyond his time and beyond the realm of art. \nDr Jacqueline Cockburn is Managing Director of Art and Culture Andalucía (www.artandcultureandalucia.com) She runs residential courses in Andalucía\, Southern Spain in the art and culture of the region. Jacqueline also works in London as a free-lance lecturer. She lectures at Grace for The Art Story\, the V and A\, Christies Education\, The Art Fund\, The London Art History Society and Art Pursuits Abroad as well as several other prestigious institutions and is accredited by The Arts Society working all over the world for them delivering lectures on a variety of art historical topics. Her specialist field is Spanish Art but she also lectures on European Art 1790-1950. She lectured at Westminster School\, London and Birkbeck College\, University of London for over 20 years. She took her first degree in Modern Languages then an M.A in Sao Paulo Brazil on Applied Linguistics. Her Art History degree and PhD were taken at London University.
URL:https://www.hispanicmusic.co.uk/event/francisco-de-goya-in-love-and-song/
LOCATION:Grace Belgravia\, 11c W Halkin Street\, London\, SW1X 8JL\, United Kingdom
CATEGORIES:Lectures,Recitals
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2018/02/Goya.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20170202T180000
DTEND;TZID=UTC:20170202T190000
DTSTAMP:20260501T165513
CREATED:20180311T101455Z
LAST-MODIFIED:20180311T101557Z
UID:366-1486058400-1486062000@www.hispanicmusic.co.uk
SUMMARY:Bécquer Settings
DESCRIPTION:Gustavo Adolfo Bécquer is one of the most famous and celebrated authors in Spanish literature. His poems\, though short and few\, are considered one of the pillars of modern Spanish poetry\, and their mark beyond Spanish literature is patent in Spanish music with the large number of composers who have set his verses to music. \nHis poetry is rich and complex\, yet seems completely spontaneous. It combines the influence of high poetry\, with a popular/folk tone. Bécquer wished no doubt to emphasise this apparent simplicity by calling his poems ‘Rimas’ (rhymes in english). This sincerity and modesty come in sharp contrast with other Spanish poets of his time\, whose poetry\, though elegant\, was generally didactic and declamatory. Instead\, Bécquer would follow the example being set in Germany\, finding great inspiration in particular in Heinrich Heine’s work. As early as 1861\, he wrote about the ‘necessity for Spanish popular song to be elevated and become a true art form’. Thus\, he became instrumental in the development of the Spanish Lied\, some examples of which we will hear this evening. \nThis evening’s programme includes early song settings of the 1870s and 1880s\, settings by Andalusian composers (Turina\, Falla)\, and Federico Mompou’s 1971 song cycle ‘Canciones becquerianas’.
URL:https://www.hispanicmusic.co.uk/event/becquer-settings/
LOCATION:Silk Street Music Hall – Guildhall School of Music & Drama\, Silk Street\, Barbican\, London\, EC2Y 8DT\, United Kingdom
CATEGORIES:Concerts,Festival 2016-2017,Hispanic Music Series 2017,Recitals
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2018/03/b327c13b17e99c80da2cce9682d312ea.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20161114T130000
DTEND;TZID=UTC:20161114T140000
DTSTAMP:20260501T165513
CREATED:20160918T151512Z
LAST-MODIFIED:20180309T111115Z
UID:161-1479128400-1479132000@www.hispanicmusic.co.uk
SUMMARY:Two anniversaries: Miguel de Cervantes (1547-1616) & Enrique Granados (1867-1916)
DESCRIPTION:ELENA GRAGERA\, Mezzosoprano\nANTON CARDÓ\, Piano \nPROGRAMME: \nMIGUEL DE CERVANTES:  Poets of his time \nROBERT GERHARD (1896-1970) & GIL VICENTE (1470?-1536): “Por do pasaré la sierra”\nFREDERIC MOMPOU (1893-1987) & SAN JUAN DE LA CRUZ (1542-1591): “Cantar del alma”\nENRIQUE GRANADOS (1867-1916) & LUIS DE GÓNGORA (1561-1627): “Lloraba la niña” (De “Canciones Amatorias”)\nJOAQUÍN RODRIGO (1901-1999) & FÉLIX LOPE DE VEGA (1562-1635): “Pastorcito santo” \nMIGUEL DE CERVANTES: His poems \nLEONARDO BALADA (1933):  “Bailan las Gitanas” ( “Tres cervantinas”)\nERNESTO HALFFTER (1905-1989): “Canción de Dorotea” (El Ingenioso Hidalgo Don Quijote de la Mancha)\nJOAQUÍN  NIN-CULMELL (1908-2004):\n“Siempre escogen las mujeres”\n(“La guarda cuidadosa)\n–“Canciones de La Barraca”-\n“Vete\, vete pícaro hablador”\n–Canciones de “La Barraca”-\nHUGO WOLF (1860-1903): “Köpfchen\, köpfchen\, nicht gewimmert” (“Cabecita\, cabecita”:”La Gitanilla”) (“Spanisches Liederbuch”) \nENRIQUE GRANADOS \n“Cançó d´amor” -Josep Mª Roviralta-\n“Canto gitano” -Enrique Granados- \nTONADILLAS EN ESTILO ANTIGUO (1914):\n“La Maja de Goya”\n“El Majo discreto”\n“El tralalá y el punteado” \nCANCIONES AMATORIAS (1914-15):\n“Mañanica era” –Anónimo-\n“Lloraba la niña” –Góngora-
URL:https://www.hispanicmusic.co.uk/event/two-anniversaries-miguel-de-cervantes-1547-1616-enrique-granados-1867-1916/
LOCATION:St James’s Church\, Piccadilly\, 197 Piccadilly\, London\, W1J 9LL\, United Kingdom
CATEGORIES:Festival 2016-2017,Recitals
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