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X-WR-CALDESC:Events for Hispanic Music Series
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BEGIN:VEVENT
DTSTART;TZID=UTC:20180515T193000
DTEND;TZID=UTC:20180515T210000
DTSTAMP:20180426T123319Z
CREATED:20180309T110516Z
LAST-MODIFIED:20180426T123319Z
UID:356-1526412600-1526418000@www.hispanicmusic.co.uk
SUMMARY:The Music of Murillo
DESCRIPTION:Celebrating four hundred years of the birth of Murillo in 1617 and closing the symposium Murillo in Perspective\, Guildhall postgraduate singers perform settings of Spanish Golden-Age lyrics by Joaquín Turina\, Eduard Toldrá\, Joaquín Rodrigo\, Joaquín Nin\, Fernando Obradors and Frederic Mompou against a vibrant backdrop of some of Murillo’s finest drawings and paintings. \nCurated by Ricardo Gosalbo and Professor Barry Ife\, in collaboration with GSMD\, ARTES and King’s College London. \nPerformed by Erika Baikoff (soprano)\, Ingrid Chan (piano)\, Matthew Dixon (baritone)\, Aida Gimeno García (soprano)\, Alice Girle (soprano)\, Richard Hall (piano)\, Camille Lemonnier (piano) and Olivia Sjoberg (mezzo).\n \nPara celebrar el Cuarto Centenario del nacimiento del gran pintor en 1617 y como clausura del simposio Murillo en Perspectiva\, alumnos de posgrado de Guildhall School of Music and Drama interpretarán canciones de Rodrigo\, Obradors\, Turina\, Mompou\, Toldrá y Nin sobre textos de los grandes del Siglo de Oro español como Quevedo\, Lope\, S. Juan de la Cruz\, Literes y Marín. \nUn programa ideado por Ricardo Gosalbo y Prof. Barry Ife\, en colaboración con GSMD\, ARTES y King’s College London \nIntérpretes: Erika Baikoff (soprano)\, Ingrid Chan (piano)\, Matthew Dixon (baritone)\, Aida Gimeno García (soprano)\, Alice Girle (soprano)\, Richard Hall (piano)\, Camille Lemonnier (piano) and Olivia Sjoberg (mezzo).\n \n\nVenue: King’s College London\, St David’s Room K-1.56 \nAdmittance is free\, however registration is required via the following site\, as places are limited:\nhttps://www.eventbrite.com/e/the-music-of-murillo-tickets-45240237769 \nProgramme: \n\nJoaquín Nín | José Marín (1619-1699) | Catorce aires españoles antiguos (1923):\n– Desengañémonos ya…\nJoaquín Nín | José Bassa (1670?-1730?) | Catorce aires españoles antiguos (1923):\n– Minué cantado\nJoaquín Nín | Antonio Literes (1680?-1755?) | Catorce aires españoles antiguos (1923):\n– Aria de Acis y Galatea\nFernando Obradors | Anonymous (17th century) | Canciones clásicas españolas:\n– ¿Corazón porqué pasáis…?\nJoaquín Nín | José Marín (1619-1699) | Catorce aires españoles antiguos (1923):\n– Corazón que en prisión\nEduard Toldrà | Lope de Vega (1562-1635) | Seis canciones castellanas (1941):\n– Cartarcillo\nJoaquín Rodrigo | San Juan de la Cruz (1542-1591) | Cántico de la esposa (1934)\nJoaquín Rodrigo | Lope de Vega (1562-1635) | Coplas del pastor enamorado (1935)\nFernando Obradors | Juan Ponce (16th century) | Canciones clásicas españolas:\n– La mi sola\, Laureola\nFederico Mompou | San Juan de la Cruz (1542-1591) | Cantar del alma\nEduard Toldrà | Lope de Vega (1562-1635) | Seis canciones castellanas (1941):\n– Madre\, unos ojuelos ví\nJoaquín Turina | Lope de Vega (1562-1635) | Homenaje a Lope de Vega Op. 90 (1935):\nI. Cuando tan hermosa os miro\nJoaquín Turina | Lope de Vega (1562-1635) | Homenaje a Lope de Vega Op. 90 (1935):\nII. Si con mis deseos\nJoaquín Turina | Lope de Vega (1562-1635) | Homenaje a Lope de Vega Op. 90 (1935):\nIII. Al val de Fuente Ovejuna\nFernando Obradors | Francisco de Quevedo (1580-1645) | Canciones clásicas españolas:\n– La moza y los calvos (Romance)
URL:https://www.hispanicmusic.co.uk/event/the-music-of-murillo/
LOCATION:Kings College London\, Strand\, London\, WC2R 2LS\, United Kingdom
CATEGORIES:Concerts,Hispanic Music Series 2018,Recitals
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2018/03/Murillo2.jpg
ORGANIZER;CN="Instituto Cervantes London":MAILTO:cenlon@cervantes.es
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180306T180000
DTEND;TZID=UTC:20180306T200000
DTSTAMP:20180217T181630Z
CREATED:20180217T175246Z
LAST-MODIFIED:20180217T181630Z
UID:334-1520359200-1520366400@www.hispanicmusic.co.uk
SUMMARY:Francisco de Goya in love and song
DESCRIPTION:Lecture-recital with Dr Jacqueline Cockburn\, Karen Schriesheim (soprano)\, Jorge Navarro Colorado (tenor) and Dan Bovey (classical guitar) \nProgramme to include: \nFernando Sor (1778-1839)\n– Cesa de atormentarme\n– Mis descuidados ojos\n– El que quisiera amando\n– Puede una buena moza\nEnrique Granados (1867-1916)\n– Callejeo (from ‘Tonadillas en estilo antiguo’)\n– El majo olvidado (from ‘Tonadillas en estilo antiguo’)\n– El mirar de la maja (from ‘Tonadillas en estilo antiguo’)\n– El majo tímido (from ‘Tonadillas en estilo antiguo’)\n– La maja de Goya (from ‘Tonadillas en estilo antiguo’) \nGoya\, a rough and rebellious artist and the beautiful but capricious duchess of Alba embarked on a liaison which has kept lovers of Goya’s art amused and gossiping for over two hundred years. Over his career however\, he painted women as lover and procuress\, sinner and saint\, worker and aristocrat\, heroine and victim\, goddess and witch. This lecture will explore the many varied ways Goya represented women during his life time. We will explore his relationships with and approaches to women. Naked or clothed they appear in their many guises as Muses who inspire his scrutiny and at times his satirical glance. Women’s roles changed during the eighteenth century. Some lit cannons and battled with a waning Inquisition. Others ruled over the country or were patrons of the arts. Many were victims of war and some were burnt as witches. Goya’s glance is often adoring; his brushstrokes seem to caress their bodies lovingly and sensually. He is also sympathetic and horrified and provides us with extraordinary historical insights. \nGoya’s work inspired musicians and composers and this lecture will be accompanied by singers\, Jorge Navarro and Karen Schriesheim and the classical guitarist Daniel Bovey.\nHaving attended the Spanish military academy\, Fernando Sor (1778-1839) took part in the Spanish War of Independence between 1808-1814. Many composers were forced into exile after the war as a result of their liberal views. Like Ledesma\, León and García\, Sor joined a numerous colony of Spanish exiles in London. Sor wrote many Canciones patrióticas in his exile\, perhaps in the hope of spreading his political message or simply driven by a certain nostalgia/homesickness. These Canciones became remarkable political symbols\, were sung in cafes\, streets\, theatres\, salon gatherings\, and served to bring together Spaniards. Granados’ Tonadillas\, written around 1914\, were inspired by Goya’s depictions of 18th century Madrilenian majos and majas. They bear witness to the extent to which Goya’s work influenced Spanish artists beyond his time and beyond the realm of art. \nDr Jacqueline Cockburn is Managing Director of Art and Culture Andalucía (www.artandcultureandalucia.com) She runs residential courses in Andalucía\, Southern Spain in the art and culture of the region. Jacqueline also works in London as a free-lance lecturer. She lectures at Grace for The Art Story\, the V and A\, Christies Education\, The Art Fund\, The London Art History Society and Art Pursuits Abroad as well as several other prestigious institutions and is accredited by The Arts Society working all over the world for them delivering lectures on a variety of art historical topics. Her specialist field is Spanish Art but she also lectures on European Art 1790-1950. She lectured at Westminster School\, London and Birkbeck College\, University of London for over 20 years. She took her first degree in Modern Languages then an M.A in Sao Paulo Brazil on Applied Linguistics. Her Art History degree and PhD were taken at London University.
URL:https://www.hispanicmusic.co.uk/event/francisco-de-goya-in-love-and-song/
LOCATION:Grace Belgravia\, 11c W Halkin Street\, London\, SW1X 8JL\, United Kingdom
CATEGORIES:Lectures,Recitals
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2018/02/Goya.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20170202T180000
DTEND;TZID=UTC:20170202T190000
DTSTAMP:20180311T101557Z
CREATED:20180311T101455Z
LAST-MODIFIED:20180311T101557Z
UID:366-1486058400-1486062000@www.hispanicmusic.co.uk
SUMMARY:Bécquer Settings
DESCRIPTION:Gustavo Adolfo Bécquer is one of the most famous and celebrated authors in Spanish literature. His poems\, though short and few\, are considered one of the pillars of modern Spanish poetry\, and their mark beyond Spanish literature is patent in Spanish music with the large number of composers who have set his verses to music. \nHis poetry is rich and complex\, yet seems completely spontaneous. It combines the influence of high poetry\, with a popular/folk tone. Bécquer wished no doubt to emphasise this apparent simplicity by calling his poems ‘Rimas’ (rhymes in english). This sincerity and modesty come in sharp contrast with other Spanish poets of his time\, whose poetry\, though elegant\, was generally didactic and declamatory. Instead\, Bécquer would follow the example being set in Germany\, finding great inspiration in particular in Heinrich Heine’s work. As early as 1861\, he wrote about the ‘necessity for Spanish popular song to be elevated and become a true art form’. Thus\, he became instrumental in the development of the Spanish Lied\, some examples of which we will hear this evening. \nThis evening’s programme includes early song settings of the 1870s and 1880s\, settings by Andalusian composers (Turina\, Falla)\, and Federico Mompou’s 1971 song cycle ‘Canciones becquerianas’.
URL:https://www.hispanicmusic.co.uk/event/becquer-settings/
LOCATION:Silk Street Music Hall – Guildhall School of Music & Drama\, Silk Street\, Barbican\, London\, EC2Y 8DT\, United Kingdom
CATEGORIES:Concerts,Festival 2016-2017,Hispanic Music Series 2017,Recitals
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2018/03/b327c13b17e99c80da2cce9682d312ea.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20161114T130000
DTEND;TZID=UTC:20161114T140000
DTSTAMP:20180309T111115Z
CREATED:20160918T151512Z
LAST-MODIFIED:20180309T111115Z
UID:161-1479128400-1479132000@www.hispanicmusic.co.uk
SUMMARY:Two anniversaries: Miguel de Cervantes (1547-1616) & Enrique Granados (1867-1916)
DESCRIPTION:ELENA GRAGERA\, Mezzosoprano\nANTON CARDÓ\, Piano \nPROGRAMME: \nMIGUEL DE CERVANTES:  Poets of his time \nROBERT GERHARD (1896-1970) & GIL VICENTE (1470?-1536): “Por do pasaré la sierra”\nFREDERIC MOMPOU (1893-1987) & SAN JUAN DE LA CRUZ (1542-1591): “Cantar del alma”\nENRIQUE GRANADOS (1867-1916) & LUIS DE GÓNGORA (1561-1627): “Lloraba la niña” (De “Canciones Amatorias”)\nJOAQUÍN RODRIGO (1901-1999) & FÉLIX LOPE DE VEGA (1562-1635): “Pastorcito santo” \nMIGUEL DE CERVANTES: His poems \nLEONARDO BALADA (1933):  “Bailan las Gitanas” ( “Tres cervantinas”)\nERNESTO HALFFTER (1905-1989): “Canción de Dorotea” (El Ingenioso Hidalgo Don Quijote de la Mancha)\nJOAQUÍN  NIN-CULMELL (1908-2004):\n“Siempre escogen las mujeres”\n(“La guarda cuidadosa)\n–“Canciones de La Barraca”-\n“Vete\, vete pícaro hablador”\n–Canciones de “La Barraca”-\nHUGO WOLF (1860-1903): “Köpfchen\, köpfchen\, nicht gewimmert” (“Cabecita\, cabecita”:”La Gitanilla”) (“Spanisches Liederbuch”) \nENRIQUE GRANADOS \n“Cançó d´amor” -Josep Mª Roviralta-\n“Canto gitano” -Enrique Granados- \nTONADILLAS EN ESTILO ANTIGUO (1914):\n“La Maja de Goya”\n“El Majo discreto”\n“El tralalá y el punteado” \nCANCIONES AMATORIAS (1914-15):\n“Mañanica era” –Anónimo-\n“Lloraba la niña” –Góngora-
URL:https://www.hispanicmusic.co.uk/event/two-anniversaries-miguel-de-cervantes-1547-1616-enrique-granados-1867-1916/
LOCATION:St James’s Church\, Piccadilly\, 197 Piccadilly\, London\, W1J 9LL\, United Kingdom
CATEGORIES:Festival 2016-2017,Recitals
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2018/03/foto-elena-gragera-anton-cardo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20151119T131000
DTEND;TZID=UTC:20151119T140000
DTSTAMP:20200219T002130Z
CREATED:20150825T235909Z
LAST-MODIFIED:20200219T002130Z
UID:118-1447938600-1447941600@www.hispanicmusic.co.uk
SUMMARY:Romances
DESCRIPTION:Programme: \n– “La Maja Dolorosa” Tonadilla de E. Granados\n– “La zagala alegre” E. Toldra\n– “Anhelos” de J. Turina\n– “De los álamos vengó\,madre” de J. Rodrigo \n– Marinero en tierra\, Rodolfo Halffter\n– La corza blanca\, Ernesto Halffter\n– Cançó del Teuladí Joaquín Rodrigo\n– Trobadoresca Joaquín Rodrigo\n– Del Cabello más sutil\, Fernando Obradors \n– La tabernera del puerto\, de Pablo Sorozábal\, “No puede ser”\n– Montecarmelo\, de Federico Moreno Torroba ” Madre de mis amores”\n– Jugar con fuego\, de Francisco Barbieri ” Un tiempo fue” \n– El Gato montés\, de Manuel Penella (dúo)\n– Doña Francisquita\, de Amadeo Vives (dúo) \nPerformers:\nSusana Casas\, soprano\nEduard Mas Bacardit\, tenor\nJorge Carrasco\, piano \nSusana Casas\, soprano\nSusana Casas was born in Sevilla. She born in Seville (Spain) and studied singing in Madrid. She has sung as a soloist both in opera\, operetta\, zarzuela and musical theatre (The Phantom of the Opera\, Amadeus\, La Traviata\, Il Segreto di Susana\, La Voix Humaine\, etc. ) She has also performed in Latin America (Mexico\, Peru and Cuba) and was a finalist at the International Singing Competition in Trujillo\, Peru.\nOther collaborations include: Henry Purcell’s The Fairy Queen with the Company of Contemporary Dance of Andalusia\, Alfano’s Cyrano de Bergerac\, Puccini’s Turandot and Manon Lescaut\, Busoni’s Turandot\, Verdi’s La Traviata and Don Carlo\, Humperdinck’s Haensel and Gretel\, Mozart’s Le Nozze di Fígaro etc at Teatro de La Maestranza in Seville. She is a member of the Open Music Project with the Real Orquesta Sinfónica de Sevilla (ROSS). She will soon take part in the opera The little Sweep by B.Britten in Spain. \nJuan de Dios Mateos\, tenor\nBorn in Almería (Spain)\, he started his singing studies in 2006 at the age of 17 at the Almería Conservatoire\, while he was studying flute. In 2010 he was awarded the diploma on Music Education by the University of Almería. One year later he finished his flute studies with the best marks of his promotion and in 2013 he received a Master diploma by the University of Jaén in Acting and Opera Interpretation.\nHis singing career started in 2009 with Le Nozze di Figaro (Basilio and Curzio). Since then he has performed roles in Don Giovanni (Don Ottavio)\, Bastien und Bastienne  (Bastien)\, West Side Story (Tony)\, The Phantom of the Opera (Raoul)\, Luisa Fernanda (Javier) and many opera and zarzuela recitals.\nHe has studied with Coral Morales\, Francisco Crespo\, Francesca Roig\, Francisco Poyato\, Jaume Aragall\, Carlos Hacar or Lionel Sarrazin among others and currently he studies with Carlos Aransay.\nSince March 2015 he sings with Paris National Opera Chorus and has been invited to participate with the Opera Studio of Paris to sing Le Vol Retour (role of Bidule) next December. \nJorge Carrasco\, piano\nSpanish pianist Jorge Carrasco was born in Torrevieja\, Aicante where he studied piano. In London he has specialised in ballet accompaniment\, working as a main repetiteur at the “Central School of Ballet” and ” London Contemporary Dance School “. He studied Lied at the Staatlische Hochschule fur Musik de Karlsuhe (Germany) and was a pupil of Hartmut Holl and Mitsuko Shirai. Jorge sings as a tenor with London ensembles such as Coro Cervantes and The Renaissance Singers. \nIn partnership with:
URL:https://www.hispanicmusic.co.uk/event/romances/
LOCATION:Song in the City\, The Parish and Ward Church of St. Botolph without Bishopsgate\, Bishopsgate\, London\, EC2M 3TL\, United Kingdom
CATEGORIES:Festival 2015,Recitals
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2015/08/susana_juan_jorge.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20151111T183000
DTEND;TZID=UTC:20151111T193000
DTSTAMP:20180309T111211Z
CREATED:20150912T001551Z
LAST-MODIFIED:20180309T111211Z
UID:130-1447266600-1447270200@www.hispanicmusic.co.uk
SUMMARY:Razones de estado: El Quijote en la zarzuela
DESCRIPTION:Lecturer / Conferenciante: Begoña Lolo (Directora del Centro Superior de Investigación y Promoción de la Música de la Universidad Autónoma de Madrid) \nLecture in Spanish / Conferencia en castellano \nABSTRACT / RESUMEN\nEl Quijote fue desde el primer momento de su publicación una obra muy utilizada por los compositores europeos como tema de inspiración\, en todo tipo de repertorios\, a lo largo de los siglos. Francia\, Inglaterra\, Alemania e Italia\, inmediatamente utilizaron la obra a medida que se fueron produciendo las traducciones\, algo que sucedió en un periodo de tiempo muy breve desde su publicación. \nSin embargo\, en el caso de España\, fue necesario esperar  al siglo XIX para que la obra de Cervantes fuese utilizada como tema de inspiración en la música. La imagen de la decadencia de España alimentada por la leyenda negra\, la crisis económica y la independencia de nuestras colonias\, necesitaba con urgencia de la búsqueda de un icono cultural que ayudase a emanar una nueva imagen. Por esta razón la Real Academia Española entronizó la celebración del día 23 de abril\, en 1861\, como día de las Letras y día de Cervantes\, fecha que se celebró con el estreno de la primera zarzuela escrita sobre tema cervantino debida al compositor Barbieri\, que incentivó el enorme desarrollo posterior.
URL:https://www.hispanicmusic.co.uk/event/razones-de-estado-el-quijote-en-la-zarzuela/
LOCATION:Instituto Cervantes\, 102 Eaton Square\, London\, SW1W 9AN\, United Kingdom
CATEGORIES:Festival 2015,Lectures
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2018/03/Begona-Lolo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20151014T183000
DTEND;TZID=UTC:20151014T193000
DTSTAMP:20180910T104250Z
CREATED:20150825T225055Z
LAST-MODIFIED:20180910T104250Z
UID:107-1444847400-1444851000@www.hispanicmusic.co.uk
SUMMARY:El terrible Pérez
DESCRIPTION:Video projection of the zarzuela: El terrible Pérez (Terrible Pérez)\, by Arniches\, García García Álvarez\, López Torregrosa and Valverde.\nIn Spanish with English subtitles.\nIntroduction by Carlos Aransay.\nIn partnership with:
URL:https://www.hispanicmusic.co.uk/event/el-terrible-perez/
LOCATION:Instituto Cervantes\, 102 Eaton Square\, London\, SW1W 9AN\, United Kingdom
CATEGORIES:Festival 2015,Screenings
ATTACH;FMTTYPE=image/jpeg:https://www.hispanicmusic.co.uk/wp-content/uploads/2018/09/EL-TERRIBLE-PÉREZ-30.jpg
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